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AIDC2020 - Upskill: Writing Documentary, Shaping Story with Jen Peedom

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Manage episode 261702568 series 134136
内容由ACMIOnline提供。所有播客内容(包括剧集、图形和播客描述)均由 ACMIOnline 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
CRAFT Director Jen Peedom discusses her story-focused approach to documentary writing, from pre-production through to editing. What does it mean to ‘write’ a documentary? For BAFTA-nominated filmmaker Jennifer Peedom (Sherpa, Mountain), writing — and re-writing — defines each step of the filmmaking process. Emphasising the difference between covering an issue and telling an emotional story, this session will explore lessons borrowed from drama storytelling in shaping Jen’s compelling on-screen characters and journeys: encompassing thoughtful planning in research and pre-production, course-correction through principal shooting and interviews, and an openness to challenging feedback throughout editing. Further points of discussion for this session include the differences between writing historical and unfolding stories, writing observational documentaries (when the outcome of a situation is unknown at the outset), and incorporating additional editorial tools (such as graphics and cards) at the editing stage for clarity.
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Artwork
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Manage episode 261702568 series 134136
内容由ACMIOnline提供。所有播客内容(包括剧集、图形和播客描述)均由 ACMIOnline 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
CRAFT Director Jen Peedom discusses her story-focused approach to documentary writing, from pre-production through to editing. What does it mean to ‘write’ a documentary? For BAFTA-nominated filmmaker Jennifer Peedom (Sherpa, Mountain), writing — and re-writing — defines each step of the filmmaking process. Emphasising the difference between covering an issue and telling an emotional story, this session will explore lessons borrowed from drama storytelling in shaping Jen’s compelling on-screen characters and journeys: encompassing thoughtful planning in research and pre-production, course-correction through principal shooting and interviews, and an openness to challenging feedback throughout editing. Further points of discussion for this session include the differences between writing historical and unfolding stories, writing observational documentaries (when the outcome of a situation is unknown at the outset), and incorporating additional editorial tools (such as graphics and cards) at the editing stage for clarity.
  continue reading

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