In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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1971 — Macbeth & The Devils: British Witchcraft (feat. Andrea Subissati)
Manage episode 304995300 series 2973907
内容由Hollywood Suite提供。所有播客内容(包括剧集、图形和播客描述)均由 Hollywood Suite 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Something wicked this way comes as Alicia, Becky and special guest Andrea Subissati (Rue Morgue and The Faculty of Horror podcast) head to the U.K. to revisit two controversial films from 1971: Roman Polanski's Macbeth and Ken Russell's The Devils. In 2010, Andrea’s masters thesis on the social impact of zombie cinema was published under the title When There’s No More Room In Hell: The Sociology of the Living Dead. Since then, she has been published in The Undead and Theology (2012), The Canadian Horror Film: Terror of the Soul (2015) and Yuletide Terror: Christmas Horror on Film and Television (2017). She joined the staff of Rue Morgue magazine in 2014 and became Executive Editor in 2017. In addition to writing, Andrea has appeared on the TV horror documentary Why Horror? (2014) and is co-founder of the Toronto-based horror lecture series The Black Museum. Follow her on Twitter, Facebook and Instagram.
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Hosted on Acast. See acast.com/privacy for more information.
114集单集
Manage episode 304995300 series 2973907
内容由Hollywood Suite提供。所有播客内容(包括剧集、图形和播客描述)均由 Hollywood Suite 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Something wicked this way comes as Alicia, Becky and special guest Andrea Subissati (Rue Morgue and The Faculty of Horror podcast) head to the U.K. to revisit two controversial films from 1971: Roman Polanski's Macbeth and Ken Russell's The Devils. In 2010, Andrea’s masters thesis on the social impact of zombie cinema was published under the title When There’s No More Room In Hell: The Sociology of the Living Dead. Since then, she has been published in The Undead and Theology (2012), The Canadian Horror Film: Terror of the Soul (2015) and Yuletide Terror: Christmas Horror on Film and Television (2017). She joined the staff of Rue Morgue magazine in 2014 and became Executive Editor in 2017. In addition to writing, Andrea has appeared on the TV horror documentary Why Horror? (2014) and is co-founder of the Toronto-based horror lecture series The Black Museum. Follow her on Twitter, Facebook and Instagram.
…
continue reading
Hosted on Acast. See acast.com/privacy for more information.
114集单集
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