ASTS 041: The Evolving Sound of Science Fiction Cinema, Part 2-The 1960's

A Score To Settle

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Welcome back to the podcast! In this episode I continue on to the next chapter of a multi-part deep dive, into the evolving music of Science Fiction cinema through the decades, with my focus today being the 1960’s. Thus far, we’ve journeyed through the 1950’s scores which were brimming with electric violins, theremins, Novachords, jarring stinger chords and harsh onslaughts of brass and percussion.

Now, as we advance into the 1960's, we'll hear sumptuous symphonic scores for THE TIME MACHINE (1960) and MASTER OF THE WORLD (1961), pop and jazz influences in PANIC IN YEAR ZERO! (1962) and BARBARELLA (1968) and avant garde concert techniques expressed in the music for FANTASTIC VOYAGE (1966) and PLANET OF THE APES (1968). Composers featured here include Bernard Herrmann, Jerry Goldsmith, Les Baxter, Russell Garcia, Akira Ifukube - plus vocal crooning by Frankie Avalon! I also include samples of Alex North's original, unused score for the Stanley Kubrick directed, game-changing 1968 classic 2001: A SPACE ODYSSEY.

Stay safe out there, take care of yourself and each other!

Small correction: I mistakenly attribute the score for 1954's 20,000 LEAGUES UNDER THE SEA to Paul Sawtell and Bert Shefter, but it was composed by Paul J. Smith. Thanks to my attentive listeners!

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Email the show at ascoretosettlepodcast@gmail.com

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#Cinema #Brian McVickar #I Talk #Music