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27. oktober 2018: Art As Force - Part 4 - Balagan as conscious chaos - then and now

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Manage episode 220973543 series 1195559
内容由BIT Teatergarasjen提供。所有播客内容(包括剧集、图形和播客描述)均由 BIT Teatergarasjen 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
The situationist movement has been an important inspiration for group foundations in Europe, including Group 66 in Norway, and is crucial to the Nordic aesthetics as it’s seen internationally. Through the seminar Art as Force on situationism in the Nordic region we want to establish an understanding of the Nordic tradition we come from. Part 4 - Balagan as conscious chaos - then and now: With contributions from David Elliott, Lisa Charlotte Badouin Lie and Worm Winther. Panel debate moderated by Knut Ove Arntzen at the end. Moderator Art as Force: Ine Therese Berg. The seminar was part of Positions - discursive program during the international dance festival Oktoberdans 2018 produced by BIT Teatergarasjen, and presented in collaboration with The University of Bergen, theatre studies and KODE.
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Artwork
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Manage episode 220973543 series 1195559
内容由BIT Teatergarasjen提供。所有播客内容(包括剧集、图形和播客描述)均由 BIT Teatergarasjen 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
The situationist movement has been an important inspiration for group foundations in Europe, including Group 66 in Norway, and is crucial to the Nordic aesthetics as it’s seen internationally. Through the seminar Art as Force on situationism in the Nordic region we want to establish an understanding of the Nordic tradition we come from. Part 4 - Balagan as conscious chaos - then and now: With contributions from David Elliott, Lisa Charlotte Badouin Lie and Worm Winther. Panel debate moderated by Knut Ove Arntzen at the end. Moderator Art as Force: Ine Therese Berg. The seminar was part of Positions - discursive program during the international dance festival Oktoberdans 2018 produced by BIT Teatergarasjen, and presented in collaboration with The University of Bergen, theatre studies and KODE.
  continue reading

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