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内容由Aaron Nathans and Princeton Engineering提供。所有播客内容(包括剧集、图形和播客描述)均由 Aaron Nathans and Princeton Engineering 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Episode 2: Composers in the Computer Center

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Manage episode 330441157 series 3357836
内容由Aaron Nathans and Princeton Engineering提供。所有播客内容(包括剧集、图形和播客描述)均由 Aaron Nathans and Princeton Engineering 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

When the Computer Center opened along with the Engineering Quadrangle at Princeton in 1962, who knew that the Music Department would be one of its biggest users? The composers were there at all hours, punching their cards and running huge jobs overnight on the room-sized, silent IBM 7090. Working without the ability to hear what they were creating, listening only to the music in their minds, these classical music composers managed to synthesize some of the trippiest music you’ll ever hear. But it was also the sound of progress, as they broke new ground in how digital music is created. Some of their advances live on to this day in music synthesis software.

Much of the music you’ll hear on this episode was created by James K. Randall, the Princeton music professor who is credited with showing the computer’s early promise for creating nuanced music.

  continue reading

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Manage episode 330441157 series 3357836
内容由Aaron Nathans and Princeton Engineering提供。所有播客内容(包括剧集、图形和播客描述)均由 Aaron Nathans and Princeton Engineering 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

When the Computer Center opened along with the Engineering Quadrangle at Princeton in 1962, who knew that the Music Department would be one of its biggest users? The composers were there at all hours, punching their cards and running huge jobs overnight on the room-sized, silent IBM 7090. Working without the ability to hear what they were creating, listening only to the music in their minds, these classical music composers managed to synthesize some of the trippiest music you’ll ever hear. But it was also the sound of progress, as they broke new ground in how digital music is created. Some of their advances live on to this day in music synthesis software.

Much of the music you’ll hear on this episode was created by James K. Randall, the Princeton music professor who is credited with showing the computer’s early promise for creating nuanced music.

  continue reading

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