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S2 E19: Parasite: Up and Down the Class Divide Chasm
已归档的系列专辑 ("不活跃的收取点" status)
When? This feed was archived on March 07, 2022 01:29 (). Last successful fetch was on February 04, 2022 04:49 ()
Why? 不活跃的收取点 status. 我们的伺服器已尝试了一段时间,但仍然无法截取有效的播客收取点
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 244422896 series 2117437
If you want to support us, consider donating monthly to our Patreon project or Aifadian (爱发电):
_________________________________________________________________________
In this episode, hosts Ina and Afra are joined by guest Youfei to talk about Bong Joon Ho’s Parasite, the first Korean film to win the top prize, the Palme d’Or, at this year’s Cannes Film Festival.
The story, contrary to what its title might suggest, is essentially about how a lower-class unemployed family, the Kims, managed to infiltrate an upper-class family, the Parks. It’s a ‘tragicomedy’ that zones in the ever-growing chasm of class divide that we’re witnessing in today’s society -- exemplified here in Korea but its impact and lessons are truly universal, reaching beyond the country where the movie takes place.
Here’s what we talked (nerded out) about:
- What we liked and disliked the most about the movie
- Compared it to ‘Burning’, another critically-acclaimed film by a South Korean director that painted a picture of class divide -- how are they different, and in what ways?
- The all things American are being worshipped in the movie
- Why is the movie widely received in China and why are people resonating with it?
- How does the doc portray the two classes in the movie? Is there an issue of overly-stereotyping and portraying characters as caricatures?
- What are the complicated economic and political drivers behind the societal problem illustrated in this movie?
We hope you enjoy our discussion and tell us what you think of the show and the doc.
If you want to support us, consider donating monthly to our Patreon project: https://www.patreon.com/loudmurmurs
You can find us on iTunes, Google Play, Spotify, CastBox or wherever you listen to podcasts.
- Itunes: https://apple.co/2VAVf0Z
- Google play: goo.gl/KjRYPN
- Spotify: https://spoti.fi/2IWNuRB
- Soundcloud:https://bit.ly/2FqToIw
- RSS feed: https://feeds.buzzsprout.com/258327.rss
- Pocket Cast: http://pca.st/nLid
- Overcast: https://bit.ly/2SL7MNJ
- 喜马拉雅:https://bit.ly/2TrxJpZ
- 网易云音乐电台:https://music.163.com/#/djradio?id=793846386
80集单集
已归档的系列专辑 ("不活跃的收取点" status)
When? This feed was archived on March 07, 2022 01:29 (). Last successful fetch was on February 04, 2022 04:49 ()
Why? 不活跃的收取点 status. 我们的伺服器已尝试了一段时间,但仍然无法截取有效的播客收取点
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 244422896 series 2117437
If you want to support us, consider donating monthly to our Patreon project or Aifadian (爱发电):
_________________________________________________________________________
In this episode, hosts Ina and Afra are joined by guest Youfei to talk about Bong Joon Ho’s Parasite, the first Korean film to win the top prize, the Palme d’Or, at this year’s Cannes Film Festival.
The story, contrary to what its title might suggest, is essentially about how a lower-class unemployed family, the Kims, managed to infiltrate an upper-class family, the Parks. It’s a ‘tragicomedy’ that zones in the ever-growing chasm of class divide that we’re witnessing in today’s society -- exemplified here in Korea but its impact and lessons are truly universal, reaching beyond the country where the movie takes place.
Here’s what we talked (nerded out) about:
- What we liked and disliked the most about the movie
- Compared it to ‘Burning’, another critically-acclaimed film by a South Korean director that painted a picture of class divide -- how are they different, and in what ways?
- The all things American are being worshipped in the movie
- Why is the movie widely received in China and why are people resonating with it?
- How does the doc portray the two classes in the movie? Is there an issue of overly-stereotyping and portraying characters as caricatures?
- What are the complicated economic and political drivers behind the societal problem illustrated in this movie?
We hope you enjoy our discussion and tell us what you think of the show and the doc.
If you want to support us, consider donating monthly to our Patreon project: https://www.patreon.com/loudmurmurs
You can find us on iTunes, Google Play, Spotify, CastBox or wherever you listen to podcasts.
- Itunes: https://apple.co/2VAVf0Z
- Google play: goo.gl/KjRYPN
- Spotify: https://spoti.fi/2IWNuRB
- Soundcloud:https://bit.ly/2FqToIw
- RSS feed: https://feeds.buzzsprout.com/258327.rss
- Pocket Cast: http://pca.st/nLid
- Overcast: https://bit.ly/2SL7MNJ
- 喜马拉雅:https://bit.ly/2TrxJpZ
- 网易云音乐电台:https://music.163.com/#/djradio?id=793846386
80集单集
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