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Pablo Palomino, "The Invention of Latin American Music" (Oxford UP, 2020)

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内容由Marshall Poe提供。所有播客内容(包括剧集、图形和播客描述)均由 Marshall Poe 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Pablo Palomino's The Invention of Latin American Music (Oxford UP, 2020) reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. Palomino proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces—imperial, economic, and ideological. The author argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history. The book will be published in Spanish in 2021 by Fondo de Cultura Económica as La invención de la música latinoamericana."

Patricio Simonetto a Marie Skłodowska-Curie Fellow at the Institute of the Americas (University College London).

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

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Artwork
icon分享
 
Manage episode 297900161 series 2421502
内容由Marshall Poe提供。所有播客内容(包括剧集、图形和播客描述)均由 Marshall Poe 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Pablo Palomino's The Invention of Latin American Music (Oxford UP, 2020) reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. Palomino proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces—imperial, economic, and ideological. The author argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history. The book will be published in Spanish in 2021 by Fondo de Cultura Económica as La invención de la música latinoamericana."

Patricio Simonetto a Marie Skłodowska-Curie Fellow at the Institute of the Americas (University College London).

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

  continue reading

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