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Reframing the Art of the Interview with Poet & Novelist Canisia Lubrin

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Manage episode 412997412 series 2973858
内容由Rebecca & Natalie Davey and Natalie Davey提供。所有播客内容(包括剧集、图形和播客描述)均由 Rebecca & Natalie Davey and Natalie Davey 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

For this episode of Reframeables, we had the opportunity to speak with award-winning poet and novelist Canisia Lubrin about her new book Code Noir. After the interview, she sent the Reframeables duo an email, calling us both badass and tender, which is probably the best compliment we’ve ever been given — so there’s that. For context about her book, in 1685 France’s King Louis XIV passed a decree consisting of 59 articles meant to govern not only chattel slavery but Black subjecthood throughout France and its colonies. The document was called “le code noir.” Lubrin’s novel is written around and against these articles. In our interview, we talked about so many things: identity, and why Canisia isn’t interested in it; green underwear, and why this writer’s words make us hot (literally); poetry as something that originates in the body, not the mind. Our reframing takeaway? The art of the interview isn’t achieved in a straight line — or maybe we reframed the art of conversation as a whole. Either way, we had a blast.
Canisia Lubrin is a writer, critic, professor, poet, and editor. Originally from St. Lucia, she now lives in Whitby, Ontario. Her books include Voodoo Hypothesis, The Dyzgraphxst, and Code Noir. Canisia is currently poetry editor at McClelland & Stewart, and has taught at Humber College, University of Toronto, and University of Guelph.
Links:
Code Noir
A Conversation with Canisia Lubrin by Rosie Long Decter for Vallum Mag
Follow Canisia on Instagram

We love hearing from our listeners! Leave us a voice message, write to the show email, or send us a DM on any of our socials.
If our conversations support you in your own reframing practice, please consider a donation on our Patreon, where you can also hear bonus episodes, or tipping us on Ko-fi. Subscribe to the Reframeables Newsletter. Follow us on TikTok, Twitter, Instagram, and YouTube too.

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章节

1. This week's episode (00:00:00)

2. What makes autobiography and identity not so interesting (00:02:01)

3. Resisting the need to explain yourself through your work (00:04:37)

4. The corrosive effects of cult of personality and celebrity (00:08:46)

5. Characterization in Code Noir (00:13:19)

6. The embodied experience of poetry (00:21:43)

7. What poetry should do (00:23:33)

8. What literature makes possible (00:31:54)

9. Different languages we carry around with us (00:34:16)

10. Reframing the art of the interview (00:40:52)

11. A parasocial story (00:43:44)

93集单集

Artwork
icon分享
 
Manage episode 412997412 series 2973858
内容由Rebecca & Natalie Davey and Natalie Davey提供。所有播客内容(包括剧集、图形和播客描述)均由 Rebecca & Natalie Davey and Natalie Davey 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

For this episode of Reframeables, we had the opportunity to speak with award-winning poet and novelist Canisia Lubrin about her new book Code Noir. After the interview, she sent the Reframeables duo an email, calling us both badass and tender, which is probably the best compliment we’ve ever been given — so there’s that. For context about her book, in 1685 France’s King Louis XIV passed a decree consisting of 59 articles meant to govern not only chattel slavery but Black subjecthood throughout France and its colonies. The document was called “le code noir.” Lubrin’s novel is written around and against these articles. In our interview, we talked about so many things: identity, and why Canisia isn’t interested in it; green underwear, and why this writer’s words make us hot (literally); poetry as something that originates in the body, not the mind. Our reframing takeaway? The art of the interview isn’t achieved in a straight line — or maybe we reframed the art of conversation as a whole. Either way, we had a blast.
Canisia Lubrin is a writer, critic, professor, poet, and editor. Originally from St. Lucia, she now lives in Whitby, Ontario. Her books include Voodoo Hypothesis, The Dyzgraphxst, and Code Noir. Canisia is currently poetry editor at McClelland & Stewart, and has taught at Humber College, University of Toronto, and University of Guelph.
Links:
Code Noir
A Conversation with Canisia Lubrin by Rosie Long Decter for Vallum Mag
Follow Canisia on Instagram

We love hearing from our listeners! Leave us a voice message, write to the show email, or send us a DM on any of our socials.
If our conversations support you in your own reframing practice, please consider a donation on our Patreon, where you can also hear bonus episodes, or tipping us on Ko-fi. Subscribe to the Reframeables Newsletter. Follow us on TikTok, Twitter, Instagram, and YouTube too.

  continue reading

章节

1. This week's episode (00:00:00)

2. What makes autobiography and identity not so interesting (00:02:01)

3. Resisting the need to explain yourself through your work (00:04:37)

4. The corrosive effects of cult of personality and celebrity (00:08:46)

5. Characterization in Code Noir (00:13:19)

6. The embodied experience of poetry (00:21:43)

7. What poetry should do (00:23:33)

8. What literature makes possible (00:31:54)

9. Different languages we carry around with us (00:34:16)

10. Reframing the art of the interview (00:40:52)

11. A parasocial story (00:43:44)

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