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Dominic Lewis Rides the ’Bullet Train’

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Manage episode 338482033 series 2827045
内容由Nicholas Marcus提供。所有播客内容(包括剧集、图形和播客描述)均由 Nicholas Marcus 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

With the season 3 premiere right around the corner, we've decided to drop an interview to tease your appetite. Dominic Lewis (Violent Night, The King's Man) joins The Film Scorer to talk about his new score to the hit action film Bullet Train. Dom's score is a self-described concept album featuring numerous, far-reaching influences and a number of faux needle drops that completely fooled me when I watched the film. Dom also briefly talks about his two upcoming Christmas films (including Spirited, a musical starring Will Ferrell and Ryan Reynolds) and how to make Christmas music that doesn't sound like every other Christmas score. Finally, Dom ends the interview by talking about his time working at (and giving a rare peak behind the scenes into) Remote Control Productions, Hans Zimmer's film scoring production company.

As I mention during the interview, hearing Dom's score is what sold me on the interview. It's such a wild genre mix that somehow works, ending up even more weird and gonzo than the underlying film. It's always exciting when composers try to push the boundaries a bit, and even more so when they can do it in an otherwise mainstream release.

Bullet Train is available to watch in theaters. Dom's score, and all of his other music, is available digitally.

  continue reading

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Dominic Lewis Rides the ’Bullet Train’

The Film Scorer

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Manage episode 338482033 series 2827045
内容由Nicholas Marcus提供。所有播客内容(包括剧集、图形和播客描述)均由 Nicholas Marcus 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

With the season 3 premiere right around the corner, we've decided to drop an interview to tease your appetite. Dominic Lewis (Violent Night, The King's Man) joins The Film Scorer to talk about his new score to the hit action film Bullet Train. Dom's score is a self-described concept album featuring numerous, far-reaching influences and a number of faux needle drops that completely fooled me when I watched the film. Dom also briefly talks about his two upcoming Christmas films (including Spirited, a musical starring Will Ferrell and Ryan Reynolds) and how to make Christmas music that doesn't sound like every other Christmas score. Finally, Dom ends the interview by talking about his time working at (and giving a rare peak behind the scenes into) Remote Control Productions, Hans Zimmer's film scoring production company.

As I mention during the interview, hearing Dom's score is what sold me on the interview. It's such a wild genre mix that somehow works, ending up even more weird and gonzo than the underlying film. It's always exciting when composers try to push the boundaries a bit, and even more so when they can do it in an otherwise mainstream release.

Bullet Train is available to watch in theaters. Dom's score, and all of his other music, is available digitally.

  continue reading

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