Artwork

内容由Philip Rowe提供。所有播客内容(包括剧集、图形和播客描述)均由 Philip Rowe 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Bernini and Others: Sculpture, Architecture and Plays

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Manage episode 341552519 series 2798781
内容由Philip Rowe提供。所有播客内容(包括剧集、图形和播客描述)均由 Philip Rowe 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Episode 85:

We return to Italy, to the birthplace of the Renaissance, for one last visit in this theatrical age.

The Bernini family and their history as sculptors and architects.

The early life and career of the second-generation Bernini, Gian Lorenzo, and his place as a major sculptor and architect in Rome.

His work as a scenic designer in the theatre and the impact of his special effects.

Bernini as an all-round theatre practitioner and some examples of his work.

Bernini as a playwright and the nature of his plays.

The discovery of his one surviving play and the problems with the text.

The plot of his one surviving play ‘The Impresario’.

The Commedia Dell’arte elements in ‘The Impresario’ and how Bernini subverted them.

Giovanni Burnacini and his son Ludovichi, who worked for the Vienna Opera houses and the Holy Roman Emperor.

The use of multiple vanishing points in set design

The careers of three generations of the Galli-Bibienas in set design and architecture.

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.ko-fi.com/thoetp

www.patreon.com/thoetp


This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
  continue reading

152集单集

Artwork
icon分享
 
Manage episode 341552519 series 2798781
内容由Philip Rowe提供。所有播客内容(包括剧集、图形和播客描述)均由 Philip Rowe 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Episode 85:

We return to Italy, to the birthplace of the Renaissance, for one last visit in this theatrical age.

The Bernini family and their history as sculptors and architects.

The early life and career of the second-generation Bernini, Gian Lorenzo, and his place as a major sculptor and architect in Rome.

His work as a scenic designer in the theatre and the impact of his special effects.

Bernini as an all-round theatre practitioner and some examples of his work.

Bernini as a playwright and the nature of his plays.

The discovery of his one surviving play and the problems with the text.

The plot of his one surviving play ‘The Impresario’.

The Commedia Dell’arte elements in ‘The Impresario’ and how Bernini subverted them.

Giovanni Burnacini and his son Ludovichi, who worked for the Vienna Opera houses and the Holy Roman Emperor.

The use of multiple vanishing points in set design

The careers of three generations of the Galli-Bibienas in set design and architecture.

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.ko-fi.com/thoetp

www.patreon.com/thoetp


This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
  continue reading

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