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Commedia Dell’arte: A Selection of Scenarios

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Manage episode 336998764 series 2798781
内容由Philip Rowe提供。所有播客内容(包括剧集、图形和播客描述)均由 Philip Rowe 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Episode 82:

The characters of Commedia Dell’arte may have been used in every play over and over again until they became completely familiar, but the plays themselves were more varied that you might imagine.

The first preserved Commedia Dell’arte scenario from 1568.

How the play was created and the characters and players.

A first-hand account of the play.

A brief analysis of this history of the play

The play ‘Madness’ presented for a Medici wedding, performed by Isabella Andreinoi, of the Golosi troupe.

A summary of the plot of ‘Madness’

Why these two examples may not truly represent the form

The scenarios published as a collection by Flaminio Scala in 1611

The form of the scenarios in the collection

The continuing influence of Roman theatre on commedia Dell’arte

The reuse of classic stories in the scenarios, with a version of ‘The Menacmus Brothers’ as an example.

How misunderstanding, intrigue and comic business remained at the heart of Commedia Dell’arte.

‘The Mad Princess’, the only tragedy in the Scala collection.

The later development of the three-in-one play where three tenuously linked plays were presented together, a comedy, a pastoral, and a tragedy.

What the three-in-one play can tell us about the diversity within Commedia Dell’arte.

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.ko-fi.com/thoetp

www.patreon.com/thoetp


This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
  continue reading

149集单集

Artwork
icon分享
 
Manage episode 336998764 series 2798781
内容由Philip Rowe提供。所有播客内容(包括剧集、图形和播客描述)均由 Philip Rowe 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Episode 82:

The characters of Commedia Dell’arte may have been used in every play over and over again until they became completely familiar, but the plays themselves were more varied that you might imagine.

The first preserved Commedia Dell’arte scenario from 1568.

How the play was created and the characters and players.

A first-hand account of the play.

A brief analysis of this history of the play

The play ‘Madness’ presented for a Medici wedding, performed by Isabella Andreinoi, of the Golosi troupe.

A summary of the plot of ‘Madness’

Why these two examples may not truly represent the form

The scenarios published as a collection by Flaminio Scala in 1611

The form of the scenarios in the collection

The continuing influence of Roman theatre on commedia Dell’arte

The reuse of classic stories in the scenarios, with a version of ‘The Menacmus Brothers’ as an example.

How misunderstanding, intrigue and comic business remained at the heart of Commedia Dell’arte.

‘The Mad Princess’, the only tragedy in the Scala collection.

The later development of the three-in-one play where three tenuously linked plays were presented together, a comedy, a pastoral, and a tragedy.

What the three-in-one play can tell us about the diversity within Commedia Dell’arte.

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.ko-fi.com/thoetp

www.patreon.com/thoetp


This podcast uses the following third-party services for analysis:
Chartable - https://chartable.com/privacy
  continue reading

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