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Episode 40: Close to Home on Criterion + The Future of Streaming with Chris Wells and Nellie Killian

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Manage episode 290242740 series 2792919
内容由The Last Thing I Saw and Nicolas Rapold提供。所有播客内容(包括剧集、图形和播客描述)均由 The Last Thing I Saw and Nicolas Rapold 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Streaming is a subject that’s often left weirdly opaque, but this week’s guests bring industry insights that are illuminating and informative. The starting point is a new series on the Criterion Channel called Close to Home in which filmmakers drew inspiration from their own homes and everyday lives, from Martin Scorsese to Maya Deren to Blake Edwards to Chantal Akerman. It was co-programmed by Nellie Killian, programmer at Screen Slate, and Chris Wells, who works at MUBI in distribution. They discuss what’s different about programming for streaming, and the specific challenges and opportunities posed by the past year’s upheaval and the reopening of movie theaters. Both are also voracious movie-watchers, so they also talk about their endless pursuit of titles on streaming and beyond. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass
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Manage episode 290242740 series 2792919
内容由The Last Thing I Saw and Nicolas Rapold提供。所有播客内容(包括剧集、图形和播客描述)均由 The Last Thing I Saw and Nicolas Rapold 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Streaming is a subject that’s often left weirdly opaque, but this week’s guests bring industry insights that are illuminating and informative. The starting point is a new series on the Criterion Channel called Close to Home in which filmmakers drew inspiration from their own homes and everyday lives, from Martin Scorsese to Maya Deren to Blake Edwards to Chantal Akerman. It was co-programmed by Nellie Killian, programmer at Screen Slate, and Chris Wells, who works at MUBI in distribution. They discuss what’s different about programming for streaming, and the specific challenges and opportunities posed by the past year’s upheaval and the reopening of movie theaters. Both are also voracious movie-watchers, so they also talk about their endless pursuit of titles on streaming and beyond. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass
  continue reading

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