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内容由Telegraph Road Productions and Filmspotting Network提供。所有播客内容(包括剧集、图形和播客描述)均由 Telegraph Road Productions and Filmspotting Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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#264: Lady Killers, Pt. 2 — Promising Young Woman

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Manage episode 284511420 series 1000183
内容由Telegraph Road Productions and Filmspotting Network提供。所有播客内容(包括剧集、图形和播客描述)均由 Telegraph Road Productions and Filmspotting Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Though Emerald Fennell has cited Mary Harron’s AMERICAN PSYCHO as one of the inspiration points for her buzzy debut feature PROMISING YOUNG WOMAN, there’s not a whole lot obviously linking the films in terms of protagonist, narrative, or even their respective satirical targets. But as we discuss in this week’s comparison, both woman-directed films are deeply concerned with ideas of male privilege and toxic masculinity, make ample use of high-pop needledrops, and engage with violence in a heightened and stylized manner that underlines their thematic concerns. We get into all that, plus Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar.

Please share your comments, thoughts, and questions about AMERICAN PSYCHO, PROMISING YOUNG WOMAN, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Your Next Picture Show:

Scott: Abel Ferrara’s MS. 45

Keith: Mary Harron/Guinevere Turner’s THE NOTORIOUS BETTIE PAGE and CHARLIE SAYS

Tasha: “Emerald Fennel Explains Herself” by Angelica Jade Bastién (Vulture.com)

Genevieve: Eugene Ashe’s SYLVIE’S LOVE

Outro Music: Juice Newton, “Angel of the Morning”

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

427集单集

Artwork
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Manage episode 284511420 series 1000183
内容由Telegraph Road Productions and Filmspotting Network提供。所有播客内容(包括剧集、图形和播客描述)均由 Telegraph Road Productions and Filmspotting Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Though Emerald Fennell has cited Mary Harron’s AMERICAN PSYCHO as one of the inspiration points for her buzzy debut feature PROMISING YOUNG WOMAN, there’s not a whole lot obviously linking the films in terms of protagonist, narrative, or even their respective satirical targets. But as we discuss in this week’s comparison, both woman-directed films are deeply concerned with ideas of male privilege and toxic masculinity, make ample use of high-pop needledrops, and engage with violence in a heightened and stylized manner that underlines their thematic concerns. We get into all that, plus Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar.

Please share your comments, thoughts, and questions about AMERICAN PSYCHO, PROMISING YOUNG WOMAN, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Your Next Picture Show:

Scott: Abel Ferrara’s MS. 45

Keith: Mary Harron/Guinevere Turner’s THE NOTORIOUS BETTIE PAGE and CHARLIE SAYS

Tasha: “Emerald Fennel Explains Herself” by Angelica Jade Bastién (Vulture.com)

Genevieve: Eugene Ashe’s SYLVIE’S LOVE

Outro Music: Juice Newton, “Angel of the Morning”

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

427集单集

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