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PEL Presents (SUB)TEXT: The Fool Gets Hurt in Fellini’s “La Strada” (1954)

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Manage episode 317918497 series 2150645
内容由Audioboom and Mark Linsenmayer提供。所有播客内容(包括剧集、图形和播客描述)均由 Audioboom and Mark Linsenmayer 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Fellini called his film "La Strada" a dangerous representation of his identity, and had a nervous breakdown just before completing its shooting. Perhaps this identity, and its vulnerability, have something to do with the film’s representation of a disappointed hope that love might vanquish pride, if properly assisted by the forces of playfulness and creativity. The problem is that such forces are often themselves an offense to pride, and become the target of its cruelty. And so while the clown and tightrope walker Ill Matto convinces tenderhearted Gelsomina to stay with heartless Zampanò, his murder severs their tenuous, highwire connection.

Thanks to our sponsor for this episode, NYU’s Tisch School of the Arts. Aspiring filmmakers and screenwriters can learn more about their online courses at tischpro.smashcut.com/subtext.

Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS

Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon or directly on the Apple Podcasts app.

Follow (sub)Text: Twitter | Facebook | Website

  continue reading

1121集单集

Artwork
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Manage episode 317918497 series 2150645
内容由Audioboom and Mark Linsenmayer提供。所有播客内容(包括剧集、图形和播客描述)均由 Audioboom and Mark Linsenmayer 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Fellini called his film "La Strada" a dangerous representation of his identity, and had a nervous breakdown just before completing its shooting. Perhaps this identity, and its vulnerability, have something to do with the film’s representation of a disappointed hope that love might vanquish pride, if properly assisted by the forces of playfulness and creativity. The problem is that such forces are often themselves an offense to pride, and become the target of its cruelty. And so while the clown and tightrope walker Ill Matto convinces tenderhearted Gelsomina to stay with heartless Zampanò, his murder severs their tenuous, highwire connection.

Thanks to our sponsor for this episode, NYU’s Tisch School of the Arts. Aspiring filmmakers and screenwriters can learn more about their online courses at tischpro.smashcut.com/subtext.

Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS

Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon or directly on the Apple Podcasts app.

Follow (sub)Text: Twitter | Facebook | Website

  continue reading

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