Artwork

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Victoria and Albert Museum's Provenance and Spoliation Curator: Dr. Jacques Schuhmacher on Provenance Research, Art Restitution and the Role of Museums

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Manage episode 294863455 series 2822132
内容由Stephanie Drawdy提供。所有播客内容(包括剧集、图形和播客描述)均由 Stephanie Drawdy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Below is the email for Dr. Jacques Schuhmacher:
j.schuhmacher@vam.ac.uk
The following is a link for more information on the Victoria & Albert Museum's Concealed Histories Exhibit.

SHOW NOTES

3:30 importance of provenance research regarding potential for Nazi-looted art in collections outside of countries that had been occupied by the Nazis

7:35 provenance gaps in Gilbert Collection didn’t raise concerns when the Gilberts were acquiring the collection;

9:40 Nazi-looted art found in U.S. collections in the 1990s, making this an issue for the international art market

10:55 Unclear provenance of snuffbox from Gutmann Collection

15:50 massive red flags raised by some objects like the Louis XVI enameled gold snuffbox looted from Maximilian von Goldschmidt-Rothschild

18:30 Decisions about restitution of looted art are not made by UK museums but by a panel of experts

19:45 The only restitution to date by the V&A has been of Meissen pieces.

22:05 even after Monuments Men joined the museum, an unbroken chain in provenance was not necessary; acquisition protocol in the U.K. didn’t change until 1998

23:40 Deaccession laws in the UK under the Heritage Act were changed with the U.K.’s Holocaust Act 2009

35:30 no claims for works in the Gilbert Collection

37:35 Victoria & Albert Musuem’s Concealed Histories.

38:38 Magdala1868 exhibition of Ethiopian cultural objects inspired V&A’sConcealed Histories.

41:35 MacKenzie Mallon with the Nelson-Atkins Museum had put on the Discriminating Thieves exhibition, which was a huge inspiration for V&A’s Concealed Histories.

42:50 Provenance research into Nazi-looted art detached from other types of provenance research

44:45 Ethiopian Embassy negotiations for return of objects looted during Colonial era

45:00 Long-term loans used to return work that is subject to deaccession laws; example being long term loan of silver item stolen during church festival in Spain

46:45 In 1999, discovered that V&A had bought in 1950s a silver item without realizing it was stolen in the 1890s in Spain; object has been on long-term loan since 2005

48:25 Gilbert collection is on 100+ years long term loan

50:00 Museum Association guidelines for restitution claims being updated

51:15 Virtual loans

52:49 Notion of digital restitution

54:30 upcoming provenance research handbook for researchers in English-speaking countries

57:30 idea of a mega-website arose from the 1998 Washington Conference to allow cross-referencing to identify objects

58:35 no replacement for archival research

1:01:50 provenance research includes newly acquired objects, loaned objects and objects for which questions are raised

1:05:15 He studied history and did PhD in German/Allied war crimes then worked at London’s Commission for Looted Art

1:07:50 Student inquiries about provenance research welcome

Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]

  continue reading

130集单集

Artwork
icon分享
 
Manage episode 294863455 series 2822132
内容由Stephanie Drawdy提供。所有播客内容(包括剧集、图形和播客描述)均由 Stephanie Drawdy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Below is the email for Dr. Jacques Schuhmacher:
j.schuhmacher@vam.ac.uk
The following is a link for more information on the Victoria & Albert Museum's Concealed Histories Exhibit.

SHOW NOTES

3:30 importance of provenance research regarding potential for Nazi-looted art in collections outside of countries that had been occupied by the Nazis

7:35 provenance gaps in Gilbert Collection didn’t raise concerns when the Gilberts were acquiring the collection;

9:40 Nazi-looted art found in U.S. collections in the 1990s, making this an issue for the international art market

10:55 Unclear provenance of snuffbox from Gutmann Collection

15:50 massive red flags raised by some objects like the Louis XVI enameled gold snuffbox looted from Maximilian von Goldschmidt-Rothschild

18:30 Decisions about restitution of looted art are not made by UK museums but by a panel of experts

19:45 The only restitution to date by the V&A has been of Meissen pieces.

22:05 even after Monuments Men joined the museum, an unbroken chain in provenance was not necessary; acquisition protocol in the U.K. didn’t change until 1998

23:40 Deaccession laws in the UK under the Heritage Act were changed with the U.K.’s Holocaust Act 2009

35:30 no claims for works in the Gilbert Collection

37:35 Victoria & Albert Musuem’s Concealed Histories.

38:38 Magdala1868 exhibition of Ethiopian cultural objects inspired V&A’sConcealed Histories.

41:35 MacKenzie Mallon with the Nelson-Atkins Museum had put on the Discriminating Thieves exhibition, which was a huge inspiration for V&A’s Concealed Histories.

42:50 Provenance research into Nazi-looted art detached from other types of provenance research

44:45 Ethiopian Embassy negotiations for return of objects looted during Colonial era

45:00 Long-term loans used to return work that is subject to deaccession laws; example being long term loan of silver item stolen during church festival in Spain

46:45 In 1999, discovered that V&A had bought in 1950s a silver item without realizing it was stolen in the 1890s in Spain; object has been on long-term loan since 2005

48:25 Gilbert collection is on 100+ years long term loan

50:00 Museum Association guidelines for restitution claims being updated

51:15 Virtual loans

52:49 Notion of digital restitution

54:30 upcoming provenance research handbook for researchers in English-speaking countries

57:30 idea of a mega-website arose from the 1998 Washington Conference to allow cross-referencing to identify objects

58:35 no replacement for archival research

1:01:50 provenance research includes newly acquired objects, loaned objects and objects for which questions are raised

1:05:15 He studied history and did PhD in German/Allied war crimes then worked at London’s Commission for Looted Art

1:07:50 Student inquiries about provenance research welcome

Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]

  continue reading

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