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AIDC2020 -Passport to the Big Leagues: What's Next for International Networks

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Manage episode 260955279 series 134136
内容由ACMIOnline提供。所有播客内容(包括剧集、图形和播客描述)均由 ACMIOnline 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
BUSINESS Three major international cable networks discuss what worked in 2019, what's coming in 2020 and what they're looking for now. Discovery International, A+E, and ESPN – three heavyweight international cable networks discuss their big successes from 2019, what exciting projects they have in the pipeline, and what they are looking for from production companies. This session will compare and contrast their audiences and their needs. What brings in their audiences, what keeps them, what loses them? What are the differences between the US factual landscape and the UK one? Do US and UK audiences tend to favour different programming? What crosses over? What doesn’t? How does delivering to a truly international audience differ to focusing inside a specific national market? And in the bigger picture: How is the documentary series landscape changing in an age of instability. As streaming services rise, battle and consolidate, linear TV must shake itself up to survive. How does that impact us right now? How might it play out?
  continue reading

252集单集

Artwork
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Manage episode 260955279 series 134136
内容由ACMIOnline提供。所有播客内容(包括剧集、图形和播客描述)均由 ACMIOnline 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
BUSINESS Three major international cable networks discuss what worked in 2019, what's coming in 2020 and what they're looking for now. Discovery International, A+E, and ESPN – three heavyweight international cable networks discuss their big successes from 2019, what exciting projects they have in the pipeline, and what they are looking for from production companies. This session will compare and contrast their audiences and their needs. What brings in their audiences, what keeps them, what loses them? What are the differences between the US factual landscape and the UK one? Do US and UK audiences tend to favour different programming? What crosses over? What doesn’t? How does delivering to a truly international audience differ to focusing inside a specific national market? And in the bigger picture: How is the documentary series landscape changing in an age of instability. As streaming services rise, battle and consolidate, linear TV must shake itself up to survive. How does that impact us right now? How might it play out?
  continue reading

252集单集

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