How can a novel set during one brief moment near the end of Herman Melville’s father’s life, a moment lost to history and now fully overshadowed by his son’s enduring literary legacy, become a portal to discuss the world entire? Melvill is a novel about reading and writing, about parenthood and legacy, about madness and memory, about time and ghost…

What does it mean that a life can not only be animated by books but destroyed by them? That a self can be not only made by reading, but unmade by it? Dionne Brand’s latest book of nonfiction Salvage: Readings from the Wreck returns to formative texts from her own reading life in order to model a more aware and liberatory way of reading, of thinking…

Danez Smith’s poetry is so many things, a poetry of resistance, of elegy, of joy, of care, of repair. Their poetry is Afrofuturist and Afropessimist. It’s nature poetry, decolonial poetry, queer poetry, a poetry that is archival and documentary. And it is also a poetry that questions poetry itself and even more so, questions the poet, a poetry that…

Today’s conversation with Kenzie Allen, about her debut poetry collection Cloud Missives, is unusually wide-ranging. We look at the influence of archaeology, anthropology and cartography on her poetry, and on her notion of gaze within her work. We explore the fraught colonial history of these fields, and how, as an indigenous poet, she orients hers…

Today’s craft talk—by Torrey Peters on “Strategic Opacity”— was recorded at the 2024 Tin House summer writers workshop. Peters explores the elements in works of fiction that actually don’t make sense—from William Shakespeare to Elena Ferrante —and how, paradoxically, it is these very elements, the unexplainable ones, that can make a work of art gre…

As part of Jewish Currents Live: A Day of Politics & Culture, I moderated a conversation between Adania Shibli and Dionne Brand this September in New York City. Both Dionne and Adania have been on the show individually, and part of why I was hoping to bring them together this way was because of just how unforgettable my conversations with each of t…

Today’s conversation with Isabella Hammad is truly like no other on the show in its fourteen year history. The main text of her book is the speech she delivered for the Edward Said Memorial Lecture in September of 2023. A remarkable speech called “Recognizing the Stranger” which looks at the middle of narratives, at turning points, recognition scen…

Today’s episode is an archival recording of poet Frank Bidart from the 2008 Tin House Writers Workshop. It begins with an introduction by the poet Brenda Shaughnessy, followed by an extended poetry reading by Frank Bidart. After the reading is a not-to-be-missed substantive and remarkable craft interview of Frank by Brenda. They look at how he appr…

Todays’ guest is Grand Master of science fiction and fantasy Nalo Hopkinson. Together we center her first novel in over a decade, the remarkable Blackheart Man, and look at what it means to not only write an alternate Caribbean history, but within that history conjure an entirely new culture, one with its own language, sexual norms, family and gend…

Sri Lankan writer Vajra Chandrasekera’s first novel, The Saint of Bright Doors, was shortlisted for or won nearly every major SFF award there is. Much of the buzz around this book circled the question:”what exactly is this?” Saints not only didn’t fulfill the expected tropes of the genre, but seemed to be actively working against them, subverting t…

Today’s guest is one of the most singular and celebrated Anglophone poets writing today, Carl Phillips. We center his latest collection, Scattered Snows, to the North, his first since winning the 2023 Pulitzer prize in poetry. But we also use his three craft books written over the decades (in 2004, 2014 and 2023 respectively) to look at his body of…

Today’s guest, Shze-Hui Tjoa, has written a book that is remarkably unique. Is it an essay collection or a memoir? A detective story or a fantasy? A journey of self-individuation or an examination of power and control? Improbably it is all of these things, and perhaps more than any of them, it is the record of a writer finding her form by breaking …

Today’s guest Chilean poet, performance artist, visual artist, activist, and filmmaker Cecilia Vicuña, joins us to discuss her latest work, Deer Book, or Libro Venado. A bilingual collection, with translations by the acclaimed poet and translator Daniel Borzutsky, Deer Book brings together nearly forty years of Vicuña’s poetry and drawings surround…