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Analysing vital music business topics in detail, as they emerge: Joe Sparrow breaks down important stories with expert guests in about 25 minutes. It'll keep you on the cutting edge, and it'll take about the same time as making and eating a good sandwich! (We recommend doing both simultaneously for maximum deliciousness.) 🌍 Music Ally provides analysis and context for the global music business: musically.com Ⓜ️ Music Ally's industry-leading subscription service: https://musically.com/subscri ...
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Episode 152: Young Voices arranges huge, arena-sized, choir performances for school children, and we were joined by Ben Lewis, CEO of Young Voices, and Anna Phoebe, violinist who performs with Young Voices (and is on the Board at The Ivors Academy.) We spoke about the importance of music at the grassroots level, and encouraging children to sing and…
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Episode 151: We're joined by music industry psychologist and therapist Anne Löhr to get a snapshot of the state of mental health within the music industry, and her interpretation of how well the industry has supported the mental health of the people in it. SPOILER: uh-oh, it’s not been great – but it’s getting better. The music industry has, accord…
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Episode 150(!): Suzanne Bull, founder of Attitude is Everything – which connects disabled people with music and live event industries to improve access – and Dr Teresa Moore, Director at A Greener Future – which helps organisations, events, festivals and venues be more environmentally sustainable – join Music Ally's editor Joe Sparrow. They spoke a…
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Ep 149: Sofar Sounds CEO Jim Lucchese joins Music Ally editor Joe Sparrow to talk about the current economics of live music and its impact on local, independent artists. Live music is a hard business at the best of times, but for smaller and emerging artists, it can be brutally tough. A good number of artists now get their start playing Sofar Sound…
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Ep 148: Gen Z music fans are able to immediately sense when an artist’s communications with fans feel inauthentic. But marketing has in its nature an element of inauthenticity – so how do you maintain a feeling of authenticity when marketing to this young, online-only generation? And how can artists and teams market effectively directly to these yo…
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Ep. 147: Stuart Dredge, Music Ally’s Head of Insight, joins Editor Joe Sparrow to answer some of the biggest and most complex questions in the DSP space in 2024. This podcast is aligned with Music Ally’s new quarterly report and the Big Questions they chat about include: • Who are the winners and losers from artist-centric payment systems – and wil…
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Ep. 146: In this episode we ask: how do people search for music today and what do people really want in their results? We welcome Einar Helde, AIMS API co-founder and CCO, to the Focus podcast to answer that question, as well as to explain how technology is allowing people to search in novel and nuanced ways – and what that means for people who mak…
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Ep 145: Joe Sparrow is joined by Sean Lee, CEO/co-founder and Kyungtae Kim, co-founder and Audio & AI Specialist, of Verses, an AI music platform that powers music generation in virtual spaces. We wanted to talk about the use of dynamic AI-created music in the metaverse, and how that music then connects to virtual items. Essentially: where three of…
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Ep. 144: Tuned Global's CEO Con Raso joins Joe Sparrow to talk about something that sounds a bit intangible and distant: the cost of storing all the music that gets streamed. If it’s essentially free for owners of huge catalogues of music to upload their files to someone else’s server, then they will – and smaller rightsholders like DIY artists and…
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Ep 143: Marie Clausen worked hard to rise to a senior position in the music industry, only to find that she was often the only woman in the room. So she’s now driven to change that – and she explains to Joe Sparrow how she initiated Merlin’s Engage mentorship program, designed to boost the representation of women in the top ranks of the music indus…
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Ep 142: Cory Docorow is a highly regarded sci-fi author, activist and journalist who is in favour of the liberalisation and modernisation of copyright laws. He recently coined the concept of "enshittification", which is when monopolistic digital platforms offer increasingly worse services to continue making money... and then they die. We talk about…
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Ep 141: Dmytro Lopushanskyy, CTO of AI-powered song analysis and discovery tool Harmix, joins Joe to explain how tools like his actually work, and how they can find overlooked songs that are buried deep in catalogues. Dmytro also talks about what life in the music industry may be like when we have useful AI assistants, and how artists and rightshol…
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Ep. 140: Joe is joined by Sherry Saeedi, founder & CEO of Verswire. Sherry says that Verswire is a new alternative to record labels – or “a venture capital model alternative for signing musicians” as she puts it. We ask her why she believes it is “the future of music” and Sherry talks with the passion and language of a tech founder. She thinks that…
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Ep. 139: The Black Eyed Peas have sold an estimated 80 million records, are one of only a handful of artists to have simultaneously held the number-one and number-two spots on the Billboard Hot 100 chart, and have headlined the Super Bowl half-time show. We were very happy to talk to Rachel Strassberger, one third of the Black Eyed Peas' management…
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Ep. 138: Lyrics are now everywhere - in our streaming apps, on short form social media, and in the now ubiquitous lyric video. So how might lyrics be used in the future in ways we may not have thought of? Joe Sparrow is joined by Darryl Ballantyne, founder & CEO of LyricFind, one of the oldest companies to license lyrics on behalf of rightsholders …
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Ep. 137: Marie Fol, Lead of the Keychange initiative, joins Music Ally’s Editor Joe Sparrow and they takes stock of gender representation in the music industry in 2024. Keychange is a global network and movement with a wide ranging remit to works towards what it calls “a total restructure of the music industry in reaching full gender equality.” Joe…
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Ep. 136: AI is promising fundamental changes to the business of music and its creation. But what about the part where music is connected to the fans? Virginie Berger is a long-established music-tech industry expert and like many people working in innovative areas of the music industry, she’s been doing deep research into the role AI will play now, …
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Ep. 135: YouTube's Nur Ozdamar joins Music Ally's editor Joe Sparrow to explain how her Artist & Label Development team for Europe, Middle East & Africa (EMEA) supports the careers of artists and its label partners. She describes the help that they provide, how they choose which emerging artists they eventually partner with – and how her team consi…
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Ep. 134: Lior Tibon is former COO of TIDAL, and now co-founder of music financing platform Duetti, which aims to let smaller and mid-range artists sell part or all of their catalogue. He’s got experience in both the investment and streaming sides of the industry and so we talk about two things that are distantly, yet directly, connected: the recent…
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Ep. 133: we’re joined by Paul Sampson, CEO and founder of Lickd, the licensing startup that supplies music to creators on YouTube and other platforms. We seem to be shifting into an era where a new and widespread use of music is emerging – where music is a component of a wider experience: for instance in the background of short/long videos, live st…
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Ep. 132: Making vinyl records requires a lot of heat and energy, and uses plastics that are bad for the environment. But vinyl records are an old technology - so how might a modern record be made? Sven Deutschmann is Managing Director of Sonopress, a company that makes vinyl records and other physical media. He showed Music Ally’s Editor Joe Sparro…
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Ep 131: We have been puzzling over the impact of AI-generated music and how it will align with the laws that have made the music business, well, the music business. Eliane Ellbogen is an intellectual property lawyer at Fasken law firm in Montreal, and has spoken at a number of conferences about the legal implications that accompany AI Music. She jo…
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Ep. 130: Andrew Batey and Morgan Hayduk are both co-CEOs & co-founders of Beatdapp, a platform which processes huge quantities of data to detect streaming fraud for clients like labels and streaming platforms. Editor Joe Sparrow welcomes them back to the podcast to update us on the state of streaming fraud – and they have some truly shocking statis…
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Ep. 129: Dan Stein, AKA DJ Fresh, and Declan McGlynn are co-founders of Voice-Swap, the AI-powered service that, as the name suggests, allows you to swap your singing voice for that of one of their chart-topping singers’ voices. They chat to Music Ally’s Editor Joe Sparrow about why they think producers, artists and writers will want to use AI to t…
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Ep. 128: We’re joined by Kris Ahrend, CEO of the Mechanical Licensing Collective. He gives us an overview of the state of mechanical licensing in 2023, the big issues from the MLC’s perspective, and the changes he’d like to see happen. He also talks about data transparency, what he thinks artists and songwriters want (and what the MLC are doing to …
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Ep. 127: In this special episode, Music Ally’s Head of Insight, Stuart Dredge talks to our Editor Joe Sparrow, and focuses squarely on AI and music in 2023 – a topic that has caused so much excitement, confusion, innovation, and concern all at once. Stuart breaks down the ambitions and possibilities – as well as the ethical and legal issues – that …
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Ep 126: in this episode Editor Joe Sparrow is joined by musician and music education facilitator Elizabeth J. Birch, and the CEO of UK charity Youth Music Matt Griffiths. They join us to talk about the experiences of disabled musicians in the UK music industry – and the work done by Elizabeth and Youth Music to improve it. Elizabeth is a champion o…
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Ep 125: In this episode Stationhead co-founders, Murray Levison and Ryan Star speak to Editor Joe Sparrow about the platform’s role as a gathering place for superfans, and what fans are seeking in a platform that mixes music, community and commerce. Superfans are well know for their all-encompassing support of an artist, and their desire to form a …
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Ep. 124: in this episode we’re joined by Christine Barnum, CD Baby’s Chief Revenue Officer – we’re talking about music streaming fraud, how the company tries to spot it, and what the fraudsters are doing to try to avoid being detected. Christine’s job is a form of fraud whack-a-mole: trying to spot suspicious streaming activity before paying rights…
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Ep. 123: Music Ally’s Editor Joe Sparrow chats to Cat Henry, executive director of the US-based nonprofit philanthropic organisation Live Music Society. Cat talks about the society’s mission, which it describes as “to recognise and protect small venues and listening rooms across the United States so that live music can remain accessible to all.” Sm…
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Ep 122: Alex Mubert, founder of the Mubert AI generative music platform talks to Editor Joe Sparrow about using AI to make music, the impact creative musical AI will have on rightsholders, and whether we will have to redefine what music itself is – in an era where infinitely-long pieces of music can be tailor-made for each listener. Most of us have…
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Ep. 121: We speak to two people from TikTok who have helped turn classical music into viral content. TikTok has captured the attention of people in every area of the music industry, who now look to the short-video app for A&R, marketing, music discovery, audience-building and fan-nurturing. Darina Connolly, Head of Artist & Label Partnerships, talk…
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Ep 120: We're joined by Piers Henwood, a Grammy and Juno-nominated artist manager and musician. Artists today are under increasing pressure to do, well, lots of stuff: write, record and release music, create TikToks, collaborate, communicate with fans, go on tours, and so much more. A while ago, Piers wrote a guest post on Music Ally about “the imp…
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Ep 119: Every time our Head of Insight appears on the podcast, people say how useful they find his analysis – so we're bringing Stuart Dredge back again to answer a thorny question: “is music streaming like radio?”. Stuart explains why this simple-sounding question is actually quite complex and how it could raise a number of fundamental legal issue…
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Ep. 118: In the latest Focus podcast episode we’re joined by Keatly Haldeman of the blockchain music sync licensing platform Dequency. Attention has moved away from web3 tech and shifted via the metaverse to AI; so we thought it was time to check in and see how web3 tech has progressed away from the pressure of all that hype. Keatly still thinks th…
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Ep 117: We’re joined by David Martin, CEO of the Featured Artists Coalition (FAC) – the UK trade body representing the specific rights and interests of music artists. We’re talking about two of the key needs that emerging artists have: that is to say – a guiding hand at the right time, and making money from merch. Artists have become increasingly v…
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Ep 116: Music Ally Editor Joe Sparrow is joined by A Greener Future CEO and cofounder Claire O’Neill. AGF created the world’s first event sustainability standards and now offers consultancy, training, certification and membership to the events industry. We talk to her about how live events can become greener and more sustainable – and how there’s a…
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Ep. 115: We’re joined by Cliff Fluet – someone who has worked with, or advised, music-related AI platforms for a decade. He talks to Music Ally Editor Joe Sparrow about the bigger-picture possibilities and repercussions that AI could have on the music industry – he calls it "the most consequential tool the music industry could use" and one that "co…
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Ep. 114: In this special episode we’re checking in on The Music Business Academy (MBA) for Africa – a training program geared towards developing the next generation of music industry executives in Africa. It’s developed by Creative Industries Initiative For Africa in partnership with Music Ally and Dr. Carlos Chirinos of the Music Business Departme…
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Episode 113: we’re joined by Shain Shapiro, PhD – a music and cultural policy thinker whose work focuses on the idea of music cities. Shain's upcoming new book This Must Be The Place introduces and examines music’s relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, bui…
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Episode 112: In this episode we’re joined by two people from Splice, the music-making platform and sample library: CEO Kakul Srivistava and Mark Thomas, Splice's VP of sounds. Sampling has been used by musicians for decades as a way to create music, and finding the right sounds and snippets of music is a complex and time consuming task. We talk abo…
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Episode 111: in this episode we’re joined by Rebecca Berman, SVP of International at Concord, a large independent company that operates in music publishing, a label, and in acquisition – and which has artists and repertoires licensed all over the world. We talk to Rebecca about how she and Concord views the potential in exploding markets like Sub-S…
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Episode 110: We speak to Ines Dunn, a young songwriter from London, who has writing credits in songs like Maisie Peters’ “Not Another Rockstar”, and is one of the first songwriters to be featured by Spotify’s RADAR programme. One of the biggest fillips an artist’s career can receive is by being part of one of the major streaming platforms’ artist p…
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Episode 109: Music Ally’s Head of Insight, Stuart Dredge chats in depth with Joe Sparrow about the big picture issues that music streaming platforms, its users and economy will need to face this year. We’ve just published our latest Quarterly Report which comprehensively breaks down each of the big global DSPs in a “Report Card” format – and to acc…
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Episode 108: in this episode we’re joined by Adam Webb, from FanFair Alliance - a UK-based organisation campaigning against industrial-scale online ticket touting- or scalping if you prefer. I chatted to Adam about the state of ticketing in the UK, and what does FA see as the most pertinent issue that needs fixing/changing? He also talks about spec…
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Episode 107: We’re joined by Pamela McCormick and Dr Anne-Marie Imafidon MBE of London-based organisation United Development – they talk to Joe Sparrow about supporting and developing young black musicians and industry talent, the state of representation in the UK industry, and what you can do to help make gradual improvements around representation…
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Episode 106: Joe Sparrow talks to two UK music entrepreneurs who have grown a substantial and influential business from the ground up. TK and SK, co-founders of London-based independent record label and management company Finesse Foreva, which is home to artists/producers including Russ Millions, Skengdo & AM, and JB Made It. The company has receiv…
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Episode 105: For a man whose name is rhyming slang in the UK for something going wrong, most of what Pete Tong touches goes very right. He’s been enormously influential in the international electronic music scene for four decades: as a broadcaster, a jet-setting DJ who has released dozens of mix albums, at the influential FFRR and Three Six Zero la…
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Episode 104: A Very Special Episode this week: We’ve wanted to make our daily Bulletin newsletter into a podcast for a long time, and now, we’ve created one – with the help of a text-to-voice AI. We're now sharing it here, so that you can hear the results too. The AI twist is that we have cloned the voice of our Learning Operations Manager, Sarah S…
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Episode 103: Laura Kidd has been a fully independent artist for a long time – and her recent "Obey Robots" project managed to hit the UK albums chart at #14 (ahead of Artic Monkeys and Lewis Capaldi and just behind ABBA and Fleetwood Mac). It’s a hugely impressive achievement for a DIY/indie artist - so how did she do it? In this podcast she explai…
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