Scheer Intelligence features thoughtful and provocative conversations with "American Originals" -- people who, through a lifetime of engagement with political issues, offer unique and often surprising perspectives on the day's most important issues.
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030 - Jason Goodyear
Manage episode 198641593 series 1335605
内容由RaRa Room Radio and O.G. Willikers提供。所有播客内容(包括剧集、图形和播客描述)均由 RaRa Room Radio and O.G. Willikers 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Jason Goodyear (PRETTYLITTLEPAW) is a Santa Fe based musician, composer, producer, audio engineer and educator at SFCC (Santa Fe Community College). Originally from South Dakota, he moved to Minneapolis to begin his career in the audio field. There he spent years honing his musicianship and audio engineering skills. He moved to Santa Fe in the summer of 1999 and soon began teaching audio classes at local colleges as well as perusing his own musical endeavors. I met him while I was an audio student at SFCC in 2010. There he helped me to build the foundations of my recording knowledge. In many ways he is responsible for the creation of O.G. Willikers and State of the Mingo (My most recent musical endeavors). Subscribe to RaRa Room Radio on any podcast hub! Music Credits*: ‘AL9001’ composed by ©Jason Goodyear as PRETYLITTLEPAW ‘Hello Old Friend’ by Nathan Smerage written and arranged by Nathan Smerage Recorded and mixed by Luke Carr Mastered by Will Dyar at Hills Audio Copyright Nathan Smerage 2017 ‘The Ed Tube’ From the album ‘Milo De Venus’ by Milo De Venus ‘aof2.02’** From the record ‘AOF2’ composed by ©Jason Goodyear as PRETYLITTLEPAW ‘Ending at the Beginning’ Dance piece composed by ©Jason Goodyear as PRETYLITTLEPAW http://prettylittlepaw.com/ https://prettylittlepaw.bandcamp.com/ www.ogwillikers.com *all music selected and approved by Jason Goodyear. **about ‘AOF2’ “AOF2 is a chance-inpired cut-and-paste reworking of Bach's Art of Fugue. A MIDI score was chopped into bits, rearranged, and executed while being processed with a number of random-element inducing processes. Sounds complicated, huh? What I was really going for though was a radical reinterpretation that still sounded like Bach and maintained the sense of ensemble.” -Jason Goodyear
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61集单集
Manage episode 198641593 series 1335605
内容由RaRa Room Radio and O.G. Willikers提供。所有播客内容(包括剧集、图形和播客描述)均由 RaRa Room Radio and O.G. Willikers 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Jason Goodyear (PRETTYLITTLEPAW) is a Santa Fe based musician, composer, producer, audio engineer and educator at SFCC (Santa Fe Community College). Originally from South Dakota, he moved to Minneapolis to begin his career in the audio field. There he spent years honing his musicianship and audio engineering skills. He moved to Santa Fe in the summer of 1999 and soon began teaching audio classes at local colleges as well as perusing his own musical endeavors. I met him while I was an audio student at SFCC in 2010. There he helped me to build the foundations of my recording knowledge. In many ways he is responsible for the creation of O.G. Willikers and State of the Mingo (My most recent musical endeavors). Subscribe to RaRa Room Radio on any podcast hub! Music Credits*: ‘AL9001’ composed by ©Jason Goodyear as PRETYLITTLEPAW ‘Hello Old Friend’ by Nathan Smerage written and arranged by Nathan Smerage Recorded and mixed by Luke Carr Mastered by Will Dyar at Hills Audio Copyright Nathan Smerage 2017 ‘The Ed Tube’ From the album ‘Milo De Venus’ by Milo De Venus ‘aof2.02’** From the record ‘AOF2’ composed by ©Jason Goodyear as PRETYLITTLEPAW ‘Ending at the Beginning’ Dance piece composed by ©Jason Goodyear as PRETYLITTLEPAW http://prettylittlepaw.com/ https://prettylittlepaw.bandcamp.com/ www.ogwillikers.com *all music selected and approved by Jason Goodyear. **about ‘AOF2’ “AOF2 is a chance-inpired cut-and-paste reworking of Bach's Art of Fugue. A MIDI score was chopped into bits, rearranged, and executed while being processed with a number of random-element inducing processes. Sounds complicated, huh? What I was really going for though was a radical reinterpretation that still sounded like Bach and maintained the sense of ensemble.” -Jason Goodyear
…
continue reading
61集单集
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