Luminaries in the textile arts present at the Maiwa School of Textiles. These presentations are from an international collection of writers, travellers, craftspeople and artists.
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Like all great arts, textiles recreate our visiton of the world. We hold them up as exemplars of skill, ingenuity, creativity, and ambition. Textiles are poetic metaphors woven from ideas just as much as they are physical items woven from fibres.由Tim McLaughlin
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Between Science and Art: Collaboration in Textiles. Catharine Ellis & Joy Boutrup Joy Boutrup is a textile engineer, chemist, and historian from Denmark. Catharine Ellis is a textile artist from North Carolina who specializes in combining weaving and dyeing. They first met at Penland School of Crafts in North Carolina and, despite living on differe…
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Throughout history and across cultures, textiles have served important spiritual roles. Belief in the protective or auspicious nature of cloth can be found in societies on all continents. The idea that embellishment and pattern may add not only beauty but also a link to the spiritual realm and protection from evil is indeed a potent one. In this le…
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Recorded at the Maiwa School of Textiles September 14th 2017.由Jabbar and Adam Khatri
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Aya Matsunaga is a Japanese textile artist who tempered her formal studies by moving to Nottingham, England, and embracing the UK fibre art scene of the 1990s. In this lecture Aya will share her artistic journey—how, like white yarn in a dyebath, she absorbed influences and inspiration from her time in Japan, England, and Italy. Her work is a syner…
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When leading natural dye expert Michel Garcia goes into a garden, what does he see? He sees botanical strategies for survival that often give new insights into dye procedures and methods.由Michel Garcia
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When leading natural dye expert Michel Garcia goes into a garden, what does he see? He sees botanical strategies for survival that often give new insights into dye procedures and methods.由Michel Garcia
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For over thirty years Susan Shie has been producing art on cloth that mixes the personal and the political. Her distinct method of working combines narrative, drawing, and writing into large-format, highly graphic art quilts.由Susan Shie
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On October 5, 2015, Barbara Todd delivered her lecture, "Stone Drawings and Quilted Lines" or "One Day Tells Its Tale To Another." to a full house at the Maiwa School of Textiles.由Barbara Todd
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Recorded at the Maiwa School of Textiles Lecture series on September 19, 2016.由Jenny Balfour Paul
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Each member of our panel has carved a road in the wilderness. It is not easy to walk off the map, but they have all done it, struck out alone to follow a path as unknown to themselves as it was to others. And then something happens ...由Maiwa Textile Symposium
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Each member of our panel has carved a road in the wilderness. It is not easy to walk off the map, but they have all done it, struck out alone to follow a path as unknown to themselves as it was to others. And then something happens ...由Maiwa Textile Symposium
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Each member of our panel has carved a road in the wilderness. It is not easy to walk off the map, but they have all done it, struck out alone to follow a path as unknown to themselves as it was to others. And then something happens ...由Maiwa Textile Symposium
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The Artisan's Alliance of Jawaja make their presentation to a Vancouver audience at the Maiwa Textile Symposium via Skype.由Artisan's Alliance of Jawaja
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Inspired by both the colour and the plant, the Lamberts created Bleu de Lectoure in 1994. Soon their lives were given up to woad. It took more than two years working with chemists from the University of Toulouse to uncover the original fermentation, extraction, and dyeing processes. In an antiques store one day, fate helped them out. They stumbled …
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Join Michel Garcia as he leads us on a walk through the garden of natural dye plants, explaining the motivation and origins of this project, how it has evolved, new challenges faced, and what the future holds.由Michel Garcia
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Join Michel Garcia as he leads us on a walk through the garden of natural dye plants, explaining the motivation and origins of this project, how it has evolved, new challenges faced, and what the future holds.由Michel Garcia
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In part two, Ashoke Chatterjee presents the remainder of his lecture and answers questions from the audience. Part one contained the visiual and the first part of Mr. Chatterjee's presentation. Part two is audio only. Mr. Chatterjee presented his lecture via satallite from Ahmedabad, India由Ashoke Chatterjee
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In part one Charllotte Kwon introduces Ashoke Chatterjee and explains the application process for a Canadian visa (Mr. Chatterjee, an Indian dignitary with flawless credentials was denied a visa to visit Canada). Ashoke presents the first part of his lecture with visuals via an internet connection to our Vancouver audience.…
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In part three Rosemary Crill explores India's trade with the west as the focus shifted from printed cottons to muslins and Kashmir shawls. She concludes her lecture by answering some questions from the audience.由Rosemary Crill
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In part two Rosemary Crill explores India's cotton trade with the west. Printed cotton known as "chintz" changed the very fabric of life itself - especially in the British Commonwealth.由Rosemary Crill
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In part one Rosemary Crill describes the scope and range of India's trade, its historic beginnings and describes in detail the commerce with the countries in the east.由Rosemary Crill
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In this lecture master craftsman Gasali Adeyemo fields questions from the audience about traditional techniques and about working in Africa and Santa Fe. Gasali concludes with a story about the role of clothing and cloth in life.由Gasali Adeyemo
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In this lecture master craftsman Gasali Adeyemo will open the evening with a description of his early life in Nigeria and tell how fibre art came into his life. As a participant of the Nike Centre for Arts and Culture, both as a student and later as a teacher, Gasali has a range of experience with traditional crafts. He will give a history of the f…
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Razzaque and Ismail are Khatris – a hereditary community of dyers and printers who live and work in the desert district of Kutch in Gujarat, India. They are joined by researcher Eiluned Edwards, who has lived, worked, and collaborated with them for many years.由Razzaque and Ismail Khatri
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Razzaque and Ismail are Khatris – a hereditary community of dyers and printers who live and work in the desert district of Kutch in Gujarat, India. They are joined by researcher Eiluned Edwards, who has lived, worked, and collaborated with them for many years.由Razzaque and Ismail Khatri
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In March of 2008 CBC radio's Sheryl MacKay came to the Maiwa Loft and interviewed Charllotte Kwon, Owner of Maiwa Handprints and director of the Maiwa Foundation. The interview aired on March 22 on Sheryl's program North by Northwest. We asked Sheryl if we could post the interview on our website and she agreed. So in this episode we present the ori…
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Working to commission involves forming a special working relationship with a client. Large works for public spaces require working with architects, planners, and engineers. It involves navigating through time frames, budgets, and fire regulations. The challenge is not to compromise the creative process due to the added constraints. In fact the reve…
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In part three Karen explores India and visits both the giant tusser moth and the Salvi community, makers of a famous double silk ikat known as Patan Patola.由Karen Selk
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In part two Karen describes her experience in Laos and explains how weaving traditions are an essential part of Laotian culture.由Karen Selk
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Karen Selk has been a textile designer and artist since 1972. Her primary focus has been weaving and fusing felt with silk. In addition to writing, photography, research and textile arts, Karen runs Treenway Silks from her Salt Spring Island Home.由Karen Selk
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Bhakti Ziek has the ability to talk to a group about her life as a weaver while making it seem as if she is sitting talking directly to each person about their own lives and intimate experiences. In this talk, she updates her journey, sharing how a tenuous, fine thread grew into her life line and the sometimes unpredictable path it has taken. Shari…
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Bhakti Ziek has the ability to talk to a group about her life as a weaver while making it seem as if she is sitting talking directly to each person about their own lives and intimate experiences.由Bhakti Ziek
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In his episode Edwards tells the story of the events leading up to her first trip to India, how it felt to arrive, and how her life was changed by a meeting with the blockprinters of Dhamadka. The trip was profound and its effects were long lasting, Edwards shifted her focus from textile design to cultural anthropology. She spent the next 16 years …
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Recorded at the Maiwa School of Textiles Lecture series 2007.由Tim McLaughlin
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In this, the final episode, John Gillow, Noorjehan Bilgrami and Charllotte Kwon address specific questions from the audience.由Maiwa
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In this, the third of four episodes, Charllotte Kwon speaks about how she started Maiwa Handprints and how this business led her to start working with craftspeople in India. Charllotte speaks about the Maiwa approach to craft and how it is designed to promote high quality work while at the same time protecting the artisan's livelihood. She also spe…
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Noorjehan is an artist, textile designer, and researcher. Her interest in traditional crafts led to the establishment of Koel, a workshop that pioneered the revival of hand blockprinted fabrics in Pakistan. She was one of the founders of the Indus Valley School of Art and Architecture and its first Executive Director.…
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In this, the first of four episodes, John Gillow introduces his life and speaks about his passion for textiles. John is a well established author who has produced a wide range of title for the publisher Thames and Hudson. He is currently completeing a new title, Textiles of the Islamic World. Johnw is also a collector who has witnessed the changes …
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Local archaeologists working in Chinese Turkestan have uncovered numerous naturally mummified and spectacularly clothed bodies of Caucasians dating to the Bronze Age, 3000 - 4000 years ago.由Maiwa
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Recorded at the Maiwa Textile Symposium 2007由Charllotte Kwon
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