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内容由Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy提供。所有播客内容(包括剧集、图形和播客描述)均由 Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Filmsuck

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Manage series 2858749
内容由Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy提供。所有播客内容(包括剧集、图形和播客描述)均由 Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Support us on Patreon.com/filmsuck for bonus episodes and more perks! A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley. In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses? In short, what is to be done when film sucks?
  continue reading

54集单集

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Filmsuck

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Manage series 2858749
内容由Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy提供。所有播客内容(包括剧集、图形和播客描述)均由 Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Support us on Patreon.com/filmsuck for bonus episodes and more perks! A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley. In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses? In short, what is to be done when film sucks?
  continue reading

54集单集

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