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Ep 41: Looking Back with Matt Aitken

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Manage episode 345002927 series 2921166
内容由Chart Beats提供。所有播客内容(包括剧集、图形和播客描述)均由 Chart Beats 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Before we continue our journey into the singles released in 1989, Matt Aitken joins us for a special episode recapping the era from 1984-88. We go way back to SAW's first single, "The Upstroke", and talk about the record that brought Mike Stock, Matt Aitken and Pete Waterman together, as well as some of the hi-NRG tracks that followed (including previously un-discussed songs by Rik LeVay and The Lewis's). Matt also gives his perspective on working with Divine, Dead Or Alive, Bananarama, Debbie Harry, Laura Branigan, Sabrina, La Toya Jackson and more. He also talks about the never-released tracks completed with Judas Priest and why some songs ended up being recorded by more than one artist. Did SAW make demo recordings? Who was "Turn It Into Love" written for? How did the Hit Factory ensure quality control? Which artist would he have liked to have done more work with? All these questions and more are answered by the A in SAW.

Support the show

Subscribe for bonus material at chartbeats.com.au/saw
Instagram: @chartbeatsau
Threads: @chartbeatsau, @matthew_denby360
Bluesky: @chartbeatsau
Facebook: Chart Beats: A Journey Through Pop
Email: chartbeats.au@gmail.com

  continue reading

88集单集

Artwork
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Manage episode 345002927 series 2921166
内容由Chart Beats提供。所有播客内容(包括剧集、图形和播客描述)均由 Chart Beats 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Before we continue our journey into the singles released in 1989, Matt Aitken joins us for a special episode recapping the era from 1984-88. We go way back to SAW's first single, "The Upstroke", and talk about the record that brought Mike Stock, Matt Aitken and Pete Waterman together, as well as some of the hi-NRG tracks that followed (including previously un-discussed songs by Rik LeVay and The Lewis's). Matt also gives his perspective on working with Divine, Dead Or Alive, Bananarama, Debbie Harry, Laura Branigan, Sabrina, La Toya Jackson and more. He also talks about the never-released tracks completed with Judas Priest and why some songs ended up being recorded by more than one artist. Did SAW make demo recordings? Who was "Turn It Into Love" written for? How did the Hit Factory ensure quality control? Which artist would he have liked to have done more work with? All these questions and more are answered by the A in SAW.

Support the show

Subscribe for bonus material at chartbeats.com.au/saw
Instagram: @chartbeatsau
Threads: @chartbeatsau, @matthew_denby360
Bluesky: @chartbeatsau
Facebook: Chart Beats: A Journey Through Pop
Email: chartbeats.au@gmail.com

  continue reading

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