Artwork

内容由Alex & Christian Guebert and Christian Guebert提供。所有播客内容(包括剧集、图形和播客描述)均由 Alex & Christian Guebert and Christian Guebert 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Player FM -播客应用
使用Player FM应用程序离线!

Kyrie, Gott heiliger Geist (Clavier-Übung III; BWV 671)

25:04
 
分享
 

Manage episode 427814414 series 2853212
内容由Alex & Christian Guebert and Christian Guebert提供。所有播客内容(包括剧集、图形和播客描述)均由 Alex & Christian Guebert and Christian Guebert 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

On the last note of Mozart's "Kyrie eleison" in his requiem, he chooses a stark and intense open fifth instead of a triad. What happens when a composer finishes...not correctly? Is this allowed?

When using old melodies which start and end on scale degree 3 (relative to major), Bach adapts this old Phrygian mode to his idiom, but this does create an unexpected ending. Even more surprising is the wild hellish chromaticism of the final passage leading up to the Phrygian ending of this "Kyrie" setting. Even by Bach's own standard, this chromatic passage goes beyond.

Leo van Doeselaar plays BWV 671 (the focus of this episode and the text on the Holy Ghost) for the Netherlands Bach Society

BWV 669 (text on God the Father)

BWV 670 (text on Christ the Son)

Mozart Requiem II. Kyrie (excerpt): Public Domain recording

  continue reading

145集单集

Artwork
icon分享
 
Manage episode 427814414 series 2853212
内容由Alex & Christian Guebert and Christian Guebert提供。所有播客内容(包括剧集、图形和播客描述)均由 Alex & Christian Guebert and Christian Guebert 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

On the last note of Mozart's "Kyrie eleison" in his requiem, he chooses a stark and intense open fifth instead of a triad. What happens when a composer finishes...not correctly? Is this allowed?

When using old melodies which start and end on scale degree 3 (relative to major), Bach adapts this old Phrygian mode to his idiom, but this does create an unexpected ending. Even more surprising is the wild hellish chromaticism of the final passage leading up to the Phrygian ending of this "Kyrie" setting. Even by Bach's own standard, this chromatic passage goes beyond.

Leo van Doeselaar plays BWV 671 (the focus of this episode and the text on the Holy Ghost) for the Netherlands Bach Society

BWV 669 (text on God the Father)

BWV 670 (text on Christ the Son)

Mozart Requiem II. Kyrie (excerpt): Public Domain recording

  continue reading

145集单集

Alla avsnitt

×
 
Loading …

欢迎使用Player FM

Player FM正在网上搜索高质量的播客,以便您现在享受。它是最好的播客应用程序,适用于安卓、iPhone和网络。注册以跨设备同步订阅。

 

快速参考指南