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2. Words, Words, Words

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Manage episode 445800359 series 1301261
内容由BBC and BBC Radio 4提供。所有播客内容(包括剧集、图形和播客描述)均由 BBC and BBC Radio 4 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

From the description of Alexander Hamilton as 'the bastard brat of a Scotch pedlar', to Lyndon Johnson's depiction of Gerald Ford as a man who 'couldn't fart and chew gum at the same time', James Naughtie argues that American political language has long been teeming with insult.

He recalls as a student in 1974, queuing at the back door of the White House one evening and coming away with transcripts of the Watergate tapes, full of 'expletive deleted' notes 'that blacked out various Nixon explosions.'

But in our own time, James says, something quite different is at play. The language of politics today, he says, 'instead of being punctuated by insults, it's become enslaved to them. And the more exaggerated political language becomes, the more it is devalued - because it has lost its true purpose.'

Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Gemma Ashman Editor: Richard Fenton-Smith

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2. Words, Words, Words

A Point of View

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Manage episode 445800359 series 1301261
内容由BBC and BBC Radio 4提供。所有播客内容(包括剧集、图形和播客描述)均由 BBC and BBC Radio 4 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

From the description of Alexander Hamilton as 'the bastard brat of a Scotch pedlar', to Lyndon Johnson's depiction of Gerald Ford as a man who 'couldn't fart and chew gum at the same time', James Naughtie argues that American political language has long been teeming with insult.

He recalls as a student in 1974, queuing at the back door of the White House one evening and coming away with transcripts of the Watergate tapes, full of 'expletive deleted' notes 'that blacked out various Nixon explosions.'

But in our own time, James says, something quite different is at play. The language of politics today, he says, 'instead of being punctuated by insults, it's become enslaved to them. And the more exaggerated political language becomes, the more it is devalued - because it has lost its true purpose.'

Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Gemma Ashman Editor: Richard Fenton-Smith

  continue reading

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