From Reference City to No-Man’s-Land: IU’s MFA Printmakers
Manage episode 34969494 series 28382
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In Jeremy Sweet’s carnivalesque work, Mayan masks brush shoulders with King Kong and Annie Oakley. Sweet’s freewheeling vernacular stands in stark contrast to the cryptic language spoken in William McMahan's work. McMahan’s “Figure Studies” inhabit the mysterious interstices between flora and fauna, figure and ground.
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