Artwork

内容由Michael H. Dewberry提供。所有播客内容(包括剧集、图形和播客描述)均由 Michael H. Dewberry 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Art Data - Building an Art Technology Company: Carrie Eldridge, Founder + CEO of ATŌ Platform & Gallery

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Manage episode 273541602 series 2792877
内容由Michael H. Dewberry提供。所有播客内容(包括剧集、图形和播客描述)均由 Michael H. Dewberry 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Founded in 2016, ATŌ developed a proprietary technology that utilizes the decentralized database model to store market data and information on works of art they've authenticated. Their freely accessible resource aims to increase trust and transparency in the art market by giving artists and collectors the tools to understand the value of their art. After conducting hundreds of surveys and interviews, she and her team identified the most significant problems facing artists and collectors: counterfeits, provenance, and data for valuation. For Carrie, the solution is in the Data. In making more #artdata accessible to artists and collectors, she hopes that she can restore confidence and transparency to allow artists to grow their careers and invite a new class of collectors to the table. Her experience as an art technology entrepreneur and collector are insightful and informative to both creators and art world insiders.

This episode was recorded via Zoom on April 25, 2020.

Learn more on ATŌ's website: https://atogallery.com

Instagram: @ato_gallery

Music credit: Maurice Ravel's String Quartet in F major - II. Assez vif, très rythmé produced by the Isabella Stuart Gardener Museum (issued under a Creative Commons License).

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Artwork
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Manage episode 273541602 series 2792877
内容由Michael H. Dewberry提供。所有播客内容(包括剧集、图形和播客描述)均由 Michael H. Dewberry 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Founded in 2016, ATŌ developed a proprietary technology that utilizes the decentralized database model to store market data and information on works of art they've authenticated. Their freely accessible resource aims to increase trust and transparency in the art market by giving artists and collectors the tools to understand the value of their art. After conducting hundreds of surveys and interviews, she and her team identified the most significant problems facing artists and collectors: counterfeits, provenance, and data for valuation. For Carrie, the solution is in the Data. In making more #artdata accessible to artists and collectors, she hopes that she can restore confidence and transparency to allow artists to grow their careers and invite a new class of collectors to the table. Her experience as an art technology entrepreneur and collector are insightful and informative to both creators and art world insiders.

This episode was recorded via Zoom on April 25, 2020.

Learn more on ATŌ's website: https://atogallery.com

Instagram: @ato_gallery

Music credit: Maurice Ravel's String Quartet in F major - II. Assez vif, très rythmé produced by the Isabella Stuart Gardener Museum (issued under a Creative Commons License).

  continue reading

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