Artwork

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Seoul Art Friend's Andy St Louis on the Growing Korean Art Market

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Manage episode 435779119 series 168776
内容由ArtTactic提供。所有播客内容(包括剧集、图形和播客描述)均由 ArtTactic 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
In this episode of the ArtTactic Podcast, host Adam Green speaks with Seoul-based art critic Andy St. Louis, founder of Seoul Art Friend and author of Future Present: Contemporary Korean Art. As Frieze Seoul approaches its third edition, Adam and Andy explore the fair's growing influence in the Korean art scene and how it has attracted global attention, especially from U.S. and European galleries. They also discuss the complexities of scheduling conflicts with the Armory Show in New York and the impact on international collectors. Andy shares insights on how certain galleries have successfully integrated into Seoul’s art community and the current state of collecting in Korea. Finally, they dive into Andy's new book, which is the first English-language survey of millennial contemporary Korean artists, and reflect on why these artists haven’t received as much global recognition despite Korea’s rising presence in the art market.
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Artwork
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Manage episode 435779119 series 168776
内容由ArtTactic提供。所有播客内容(包括剧集、图形和播客描述)均由 ArtTactic 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
In this episode of the ArtTactic Podcast, host Adam Green speaks with Seoul-based art critic Andy St. Louis, founder of Seoul Art Friend and author of Future Present: Contemporary Korean Art. As Frieze Seoul approaches its third edition, Adam and Andy explore the fair's growing influence in the Korean art scene and how it has attracted global attention, especially from U.S. and European galleries. They also discuss the complexities of scheduling conflicts with the Armory Show in New York and the impact on international collectors. Andy shares insights on how certain galleries have successfully integrated into Seoul’s art community and the current state of collecting in Korea. Finally, they dive into Andy's new book, which is the first English-language survey of millennial contemporary Korean artists, and reflect on why these artists haven’t received as much global recognition despite Korea’s rising presence in the art market.
  continue reading

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