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A Great Leap Backwards?: The Closing of Cultural Spaces and the New Normal in Beijing

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Manage episode 367289289 series 2663791
内容由Barbarians at the Gate提供。所有播客内容(包括剧集、图形和播客描述)均由 Barbarians at the Gate 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

This episode of the podcast addresses a worrisome question: Is China’s “cultural space” shrinking?

The recent crackdown on stand-up comedy content and the scrutiny of foreign musicians performing in bars have raised worries that other artistic domains will soon be targeted. Over the past decade, there has been a perception of a “death by a thousand cuts,” as increasing scrutiny and tightening regulations have slowly sanitized, squelched, or strangled many areas of artistic and cultural expression.

The once vibrant LGBTQ scene in Beijing, characterized by thriving queer film festivals and active “tongzhi” websites, is now virtually moribund. Venues such as the Bookworm, where freewheeling literary festivals and public talks were tacitly allowed, are now a thing of the past. And the numerous academic exchanges that collapsed during the COVID-19 years do not show signs of reviving soon.

In the podcast, we discuss questions such as: What are the implications of this trend for Chinese soft power? Can alternative “safe spaces” allow creative activity to continue? And what are the ramifications for the foreign exodus from China, as many ex-pats find the country less welcoming than in times past?

  continue reading

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Manage episode 367289289 series 2663791
内容由Barbarians at the Gate提供。所有播客内容(包括剧集、图形和播客描述)均由 Barbarians at the Gate 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

This episode of the podcast addresses a worrisome question: Is China’s “cultural space” shrinking?

The recent crackdown on stand-up comedy content and the scrutiny of foreign musicians performing in bars have raised worries that other artistic domains will soon be targeted. Over the past decade, there has been a perception of a “death by a thousand cuts,” as increasing scrutiny and tightening regulations have slowly sanitized, squelched, or strangled many areas of artistic and cultural expression.

The once vibrant LGBTQ scene in Beijing, characterized by thriving queer film festivals and active “tongzhi” websites, is now virtually moribund. Venues such as the Bookworm, where freewheeling literary festivals and public talks were tacitly allowed, are now a thing of the past. And the numerous academic exchanges that collapsed during the COVID-19 years do not show signs of reviving soon.

In the podcast, we discuss questions such as: What are the implications of this trend for Chinese soft power? Can alternative “safe spaces” allow creative activity to continue? And what are the ramifications for the foreign exodus from China, as many ex-pats find the country less welcoming than in times past?

  continue reading

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