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Episode 13 | BCLF Short Fiction Story Contest 2020 (Part 1) | Vizay - Hadassah K. Williams (Trinidad & Tobago)

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内容由Brooklyn Caribbean Literary Festival提供。所有播客内容(包括剧集、图形和播客描述)均由 Brooklyn Caribbean Literary Festival 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Hadassah K. Williams is the recipient of the 1st BCLF Elizabeth Nunez Award for Writers in the Caribbean.
Her winning submission ‘Vizay’, tugs at the center of the complex, emotional ordeal that is the US visitor’s visa application process in the Caribbean. Comedic in its delivery, Hadassah fashions for readers a story from a commonplace, highly recognisable experience especially to Caribbean residents. Her protagonist however, is an inversion of the typecast visa applicant. Instead of a down-on-his-luck-hapless fella looking towards America as a way out, her protagonist is a proud, gainfully-employed invited guest to a wedding. The story implicitly examines bias, power relations and attitudes between the United States and the small island worlds from which they do business, because to be certain, non-refundable application fees is big business.
'Vizay' is a plucky, irony-filled, tongue-in-cheek rejection of the idea that every Caribbean person is dying to visit America. This story's event is action is neatly packed within a single visit to the American embassy and ends on a surprising high note.
In an era that is rapidly embracing indigenous voices, identities and diversity as global currency, Hadassah is a prime example of what happens when all people, especially women (moreso Caribbean women) are given to opportunity to tell their stories.
_________________________________________
Follow Hadassah's musings and career on Twitter @hkwriter

  continue reading

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Manage episode 364926503 series 3480813
内容由Brooklyn Caribbean Literary Festival提供。所有播客内容(包括剧集、图形和播客描述)均由 Brooklyn Caribbean Literary Festival 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Hadassah K. Williams is the recipient of the 1st BCLF Elizabeth Nunez Award for Writers in the Caribbean.
Her winning submission ‘Vizay’, tugs at the center of the complex, emotional ordeal that is the US visitor’s visa application process in the Caribbean. Comedic in its delivery, Hadassah fashions for readers a story from a commonplace, highly recognisable experience especially to Caribbean residents. Her protagonist however, is an inversion of the typecast visa applicant. Instead of a down-on-his-luck-hapless fella looking towards America as a way out, her protagonist is a proud, gainfully-employed invited guest to a wedding. The story implicitly examines bias, power relations and attitudes between the United States and the small island worlds from which they do business, because to be certain, non-refundable application fees is big business.
'Vizay' is a plucky, irony-filled, tongue-in-cheek rejection of the idea that every Caribbean person is dying to visit America. This story's event is action is neatly packed within a single visit to the American embassy and ends on a surprising high note.
In an era that is rapidly embracing indigenous voices, identities and diversity as global currency, Hadassah is a prime example of what happens when all people, especially women (moreso Caribbean women) are given to opportunity to tell their stories.
_________________________________________
Follow Hadassah's musings and career on Twitter @hkwriter

  continue reading

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