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Episode 26: How to write literary fiction with author Scott Alexander Hess

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内容由BlogTalkRadio.com and Behind the Prose提供。所有播客内容(包括剧集、图形和播客描述)均由 BlogTalkRadio.com and Behind the Prose 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
In this meta-writing hour, author and fellow New School alum Scott Alexander Hess, dissects his use and balance of language to create scene and character in his latest book, a historical novel, The Butcher’s Son (a literary fiction hell-of-a-work if I do say so mahself.) The author of three books, Hess masters juxtaposing elements of nature to “aggravate and propel things that are already happening” in the plot. The novel, set in 1930s in New York City, gains its viscosity from something Hess calls “method writing” as well as immersion research. “When I’m writing a book, I basically live in a world,” Hess says. “So for a year and a half, I’m living in the 30s.” The result? For a day and half, the time it took me to read The Butcher’s Son, I too lived in the 30s in a Hell's Kitchen tenement with three brothers taking divergent paths that eventually lead Hess right onto my bookshelf of “writers I want to be when I grow up.” But in the words of the first book reviewer I ever knew, “Don’t take my word for it.” Listen. Learn. Write.
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Manage episode 157371569 series 1219241
内容由BlogTalkRadio.com and Behind the Prose提供。所有播客内容(包括剧集、图形和播客描述)均由 BlogTalkRadio.com and Behind the Prose 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
In this meta-writing hour, author and fellow New School alum Scott Alexander Hess, dissects his use and balance of language to create scene and character in his latest book, a historical novel, The Butcher’s Son (a literary fiction hell-of-a-work if I do say so mahself.) The author of three books, Hess masters juxtaposing elements of nature to “aggravate and propel things that are already happening” in the plot. The novel, set in 1930s in New York City, gains its viscosity from something Hess calls “method writing” as well as immersion research. “When I’m writing a book, I basically live in a world,” Hess says. “So for a year and a half, I’m living in the 30s.” The result? For a day and half, the time it took me to read The Butcher’s Son, I too lived in the 30s in a Hell's Kitchen tenement with three brothers taking divergent paths that eventually lead Hess right onto my bookshelf of “writers I want to be when I grow up.” But in the words of the first book reviewer I ever knew, “Don’t take my word for it.” Listen. Learn. Write.
  continue reading

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