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69. Visions of Nature

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内容由CityRoadPod, Stories about cities, and Urban life提供。所有播客内容(包括剧集、图形和播客描述)均由 CityRoadPod, Stories about cities, and Urban life 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Dallas talks with Jarrod Hore about Visions of Nature, which revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame. Author Jarrod Hore is an environmental historian of settler colonial landscapes, nature writing, and geology, and is currently postdoctoral fellow with the New Earth Histories Research Program, University of New South Wales, Sydney. His work on wilderness photography, early environmentalism, and the Romantic tradition in the antipodes has been published in Australian Historical Studies and History Australia. His first book, Visions of Nature: How Landscape Photography Shaped Settler Colonialism is published by University of California Press.
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69. Visions of Nature

City Road Podcast

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Manage episode 340970416 series 1437131
内容由CityRoadPod, Stories about cities, and Urban life提供。所有播客内容(包括剧集、图形和播客描述)均由 CityRoadPod, Stories about cities, and Urban life 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Dallas talks with Jarrod Hore about Visions of Nature, which revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame. Author Jarrod Hore is an environmental historian of settler colonial landscapes, nature writing, and geology, and is currently postdoctoral fellow with the New Earth Histories Research Program, University of New South Wales, Sydney. His work on wilderness photography, early environmentalism, and the Romantic tradition in the antipodes has been published in Australian Historical Studies and History Australia. His first book, Visions of Nature: How Landscape Photography Shaped Settler Colonialism is published by University of California Press.
  continue reading

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