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Evaluative judgements: fields, value and time

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Manage episode 292701814 series 2927070
内容由Culture & Inequality Podcast and Inequality Podcast提供。所有播客内容(包括剧集、图形和播客描述)均由 Culture & Inequality Podcast and Inequality Podcast 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
While ‘canons’ of culture were dismantled decades ago by postmodern, postcolonial and feminist critics, evaluative judgements about ‘the best’ and ‘best ever’ continue unabated in the cultural field and in everyday life. We find examples of these judgements in the prizes and awards bestowed by powerful institutions but also in the relentless to and fro of internet forum discussions among individuals. How might we make sense of these evaluative judgements using sociological approaches? How do judgements at an individual and collective level intersect? How do they play out over time? How do they relate to the specific logics of cultural fields? In what ways are they expressive of wider societal inequalities? How can we distinguish between various types of judgement (ethical, aesthetic, instrumental)? How can we research their cumulative logic over time? This episode is hosted by dr. Simon Stewart, Reader in Sociology and Director of the Centre for European and International Studies Research at the University of Portsmouth. Readings Stewart, S. (2018). Making evaluative judgements and sometimes making money: independent publishing in the 21stCentury. Journal of Cultural Analysis and Social Change, 3(2). Stewart, S. (2020). Celebrity Capital, field-specific aesthetic criteria and the status of cultural objects: the case of Masked and Anonymous. European Journal of Cultural Studies, 23(1), 54-70.
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Manage episode 292701814 series 2927070
内容由Culture & Inequality Podcast and Inequality Podcast提供。所有播客内容(包括剧集、图形和播客描述)均由 Culture & Inequality Podcast and Inequality Podcast 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
While ‘canons’ of culture were dismantled decades ago by postmodern, postcolonial and feminist critics, evaluative judgements about ‘the best’ and ‘best ever’ continue unabated in the cultural field and in everyday life. We find examples of these judgements in the prizes and awards bestowed by powerful institutions but also in the relentless to and fro of internet forum discussions among individuals. How might we make sense of these evaluative judgements using sociological approaches? How do judgements at an individual and collective level intersect? How do they play out over time? How do they relate to the specific logics of cultural fields? In what ways are they expressive of wider societal inequalities? How can we distinguish between various types of judgement (ethical, aesthetic, instrumental)? How can we research their cumulative logic over time? This episode is hosted by dr. Simon Stewart, Reader in Sociology and Director of the Centre for European and International Studies Research at the University of Portsmouth. Readings Stewart, S. (2018). Making evaluative judgements and sometimes making money: independent publishing in the 21stCentury. Journal of Cultural Analysis and Social Change, 3(2). Stewart, S. (2020). Celebrity Capital, field-specific aesthetic criteria and the status of cultural objects: the case of Masked and Anonymous. European Journal of Cultural Studies, 23(1), 54-70.
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