Artwork

内容由Art Gallery of New South Wales提供。所有播客内容(包括剧集、图形和播客描述)均由 Art Gallery of New South Wales 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Counting: one, two, three

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Manage episode 205951228 series 2306350
内容由Art Gallery of New South Wales提供。所有播客内容(包括剧集、图形和播客描述)均由 Art Gallery of New South Wales 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
This painting is from 'The book of power' series of multi-canvas appropriation works which Imants Tillers began in 1981 and still continues. Tillers cites the work of other artists to question authorial originality, how images circulate and to investigate ideas about location and place. The numerals 1, 2, 3 are taken from 'Koru, 1, 2, 3' 1965 by New Zealand modernist painter Colin McCahon. Tillers has overlaid the McCahon work onto a landscape of Lake Wakitipu in New Zealand by colonial artist Eugene von Guérard. He has added a third appropriation, the signature of Italian artist Giorgio de Chirico. De Chirico's reuse of his own early 20th-century imagery, in works he painted much later, is an example of the cultural recycling that fascinates Tillers.
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19集单集

Artwork
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Manage episode 205951228 series 2306350
内容由Art Gallery of New South Wales提供。所有播客内容(包括剧集、图形和播客描述)均由 Art Gallery of New South Wales 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
This painting is from 'The book of power' series of multi-canvas appropriation works which Imants Tillers began in 1981 and still continues. Tillers cites the work of other artists to question authorial originality, how images circulate and to investigate ideas about location and place. The numerals 1, 2, 3 are taken from 'Koru, 1, 2, 3' 1965 by New Zealand modernist painter Colin McCahon. Tillers has overlaid the McCahon work onto a landscape of Lake Wakitipu in New Zealand by colonial artist Eugene von Guérard. He has added a third appropriation, the signature of Italian artist Giorgio de Chirico. De Chirico's reuse of his own early 20th-century imagery, in works he painted much later, is an example of the cultural recycling that fascinates Tillers.
  continue reading

19集单集

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