EP 03: The Dip with Jay Jackson aka Laganja Estranja

Dance Dad With John Corella

Dive into the dazzling world of Jay Jackson, also known as Laganja Estranja, where the art of dance meets the boldness of drag, creating a spectacle of talent and transformation. In this episode, host John Corella and the renowned drag queen and choreographer explore a myriad of topics, from dance and television to the vital intersection of LGBTQ issues within the dance world.

Laganja opens up about her extensive dance background, sharing insights from her early ballet classes to her evolution into an international performer. She discusses her affinity for contemporary dance and how her dance competition background has uniquely shaped her choreography, blending various styles and expressions.

The conversation also delves into the significant role of dance in the drag community and its ongoing evolution. Laganja pays homage to influential figures in her career, such as her drag mother, Alyssa Edwards, and Candis Cayne, and discusses her recent choreography projects, including collaborations with Lady Camden and Trixie and Katya.

A central theme of the episode is the importance of representation and inclusion in the dance industry, especially for the transgender community. Laganja speaks passionately about the need for transgender individuals to be in leadership positions, advocating for their community. She candidly shares her experiences and challenges as a transgender performer, shedding light on the industry's landscape.

This episode provides an insightful look into Laganja Estranja's multifaceted career as a dancer, choreographer, and drag queen, highlighting the transformative power of dance in the LGBTQ+ community and the significance of embracing one's true identity in the arts.

Quotes

• “I think definitely now that newer generations are becoming drag queens, there's definitely a crossover. You know, I used to really be the only like dancing queen in L.A. that had background dancers that were choreographed. You know, which was so crazy to me, because now you see that in L.A. all the time. But I think over the years, drag has become more dance centric and more focused on the tricks that you can do on stage, as opposed to just the look or the lip sync of it all.” (26:04 | Jay Jackson)
• “Respect in general is something that my parents instilled in me at a very young age. Both my parents were high school counselors for 30 plus years and so they raised me to be very in touch with my emotions and in touch with other’s emotions.” (29:41 | Jay Jackson)
• “I want to respect those that have helped me become successful. So even though I never really took voguing classes before Drag Race or was in the ballroom community, I wouldn't have had such an outlandish appeal on the TV show if it hadn't been for all those that came before me. That's why when I went back for All-Star 6, I wanted to pay ode or paid homage to Tandy Amon-Dupree, who was known for flying out from the ceiling into a split. And so again, anytime people bring up that entrance, I always try to say her name because What I truly believe is even though those people may have never placed their hands on me, their art, their lineage, what they left has inspired me to be the artist I am today.” (30:23 | Jay Jackson)
• I worked with Meryl Streep once. And I could visibly see her nervous. I used to think, Oh, if you're the people that are the best in their art, they never get nervous. So I would feel kind of shame over my nerves. And so I always tell the kids that when they feel nervous, that it's because you care. Even the greats. (35:51 | John)
• “So much of, you know, who I am, my character, everything, it comes from her [Alyssa Edwards]. I mean, she's my drag mother.” (41:57 | Jay Jackson)

Links

Dance Dad with John Corella on Instagram: https://www.instagram.com/dancedadwithjohncorella/

John on Instagram: https://www.instagram.com/john_corella/

Laganja on Instagram: https://www.instagram.com/laganjaestranja

Laganja on YouTube: https://www.youtube.com/@LaganjaEstranja

Podcast production and show notes provided by HiveCast.fm