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内容由Edward Seckerson提供。所有播客内容(包括剧集、图形和播客描述)均由 Edward Seckerson 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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A Conversation With VASILY PETRENKO: His Shostakovich symphony cycle

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Manage episode 151906650 series 1042346
内容由Edward Seckerson提供。所有播客内容(包括剧集、图形和播客描述)均由 Edward Seckerson 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Vasily Petrenko by Mark_McNultyAs Vasily Petrenko’s much-lauded Shostakovich symphony cycle moves closer to completion we reach the renegade Fourth Symphony written in 1935 and driven underground by Stalin and his establishment naysayers. This astonishing piece – which remained unperformed for 25 years until 1961 when Kondrashin in Russia and Eugene Ormandy in the USA brought it in from the cold – represents the moment, in Petrenko’s view, when Shostakovich really became Shostakovich and with significant inspiration from Gustav Mahler on matters of sonata-form and the lethal deployment of irony was able to leave prescribed traditions behind and forge a path of his own. As with every release in this series, Petrenko talks to Edward Seckerson about the cycle in general, the piece in particular, and some very personal conclusions of his own.

http://www.naxos.com/catalogue/item.asp?item_code=8.573188

http://www.liverpoolphil.com/274/vasily-petrenko/

image: Vasily Petrenko by Mark_McNulty
  continue reading

25集单集

Artwork
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Manage episode 151906650 series 1042346
内容由Edward Seckerson提供。所有播客内容(包括剧集、图形和播客描述)均由 Edward Seckerson 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Vasily Petrenko by Mark_McNultyAs Vasily Petrenko’s much-lauded Shostakovich symphony cycle moves closer to completion we reach the renegade Fourth Symphony written in 1935 and driven underground by Stalin and his establishment naysayers. This astonishing piece – which remained unperformed for 25 years until 1961 when Kondrashin in Russia and Eugene Ormandy in the USA brought it in from the cold – represents the moment, in Petrenko’s view, when Shostakovich really became Shostakovich and with significant inspiration from Gustav Mahler on matters of sonata-form and the lethal deployment of irony was able to leave prescribed traditions behind and forge a path of his own. As with every release in this series, Petrenko talks to Edward Seckerson about the cycle in general, the piece in particular, and some very personal conclusions of his own.

http://www.naxos.com/catalogue/item.asp?item_code=8.573188

http://www.liverpoolphil.com/274/vasily-petrenko/

image: Vasily Petrenko by Mark_McNulty
  continue reading

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