Artwork

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5. Negotiating Identities at the Yves Saint Laurent's Museum - Aurélie Samuel

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Manage episode 348886624 series 3129410
内容由EFHA提供。所有播客内容(包括剧集、图形和播客描述)均由 EFHA 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

As the first temporary thematic exhibition since the opening of the Musée Yves Saint Laurent Paris in October 2017, “Yves Saint Laurent: Dreams of the Orient” will bring together approximately fifty high fashion designs inspired by India, China and Japan. For the first time, these pieces from the collection of the Museum will be displayed in dialogue with Asian artworks borrowed from the Musée national des arts asiatiques - Guimet and private collectors bringing new perspectives on the couturiers’ work.

The aim of this paper is to show the concepts and theories related to the creation process of a temporary exhibition. An exhibition is a collective endeavour, requiring specific skills as well as human, financial and creative resources. The complexity of the making up of an exhibition has increased in the past years, pushing major institutions to professionalize their teams and open to new, non-scientific disciplines, previously foreign to the world of museums. This complex process includes several steps, from early conception to final achievement, in a context where new technologies and media play a new key role.

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Artwork
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Manage episode 348886624 series 3129410
内容由EFHA提供。所有播客内容(包括剧集、图形和播客描述)均由 EFHA 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

As the first temporary thematic exhibition since the opening of the Musée Yves Saint Laurent Paris in October 2017, “Yves Saint Laurent: Dreams of the Orient” will bring together approximately fifty high fashion designs inspired by India, China and Japan. For the first time, these pieces from the collection of the Museum will be displayed in dialogue with Asian artworks borrowed from the Musée national des arts asiatiques - Guimet and private collectors bringing new perspectives on the couturiers’ work.

The aim of this paper is to show the concepts and theories related to the creation process of a temporary exhibition. An exhibition is a collective endeavour, requiring specific skills as well as human, financial and creative resources. The complexity of the making up of an exhibition has increased in the past years, pushing major institutions to professionalize their teams and open to new, non-scientific disciplines, previously foreign to the world of museums. This complex process includes several steps, from early conception to final achievement, in a context where new technologies and media play a new key role.

  continue reading

11集单集

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