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内容由Facing Backward Podcasts提供。所有播客内容(包括剧集、图形和播客描述)均由 Facing Backward Podcasts 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Episode 561 – The Otaku, Part 3

 
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Manage episode 461594611 series 1755874
内容由Facing Backward Podcasts提供。所有播客内容(包括剧集、图形和播客描述)均由 Facing Backward Podcasts 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In the final episode of this series: how did “otaku culture” spread overseas when it was so stigmatized at home, and what can all this tell us about Japan in the post-bubble era?

Sources

Kinsella, Sharon. “Japanese Subculture in the 1990s: Otaku and the Amateur Manga Movement.” Journal of Japanese Studies 24, No 2 (Summer 1998)

Eng, Lawrence, “Strategies of Engagement: Discovering, Defining, and Describing Otaku Culture in the United States” and “Anime and Manga Fandom as Networked Culture” in Fandom Unbound: Otaku Culture in a Connected World. Ed. Mizuko Ito, Daisuke Okabe, and Izumi Tsuji.

Images

Miyazaki Tsutomu’s mugshot from 1989.
Promo poster for the original Yamatocon in 1983.
Title image for Robotech; shows like this helped popularize anime to a much wider audience than had been the case in the 1970s.
Roof shot from Anime Expo 2004 in Los Angeles.
  continue reading

12集单集

Artwork
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Manage episode 461594611 series 1755874
内容由Facing Backward Podcasts提供。所有播客内容(包括剧集、图形和播客描述)均由 Facing Backward Podcasts 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In the final episode of this series: how did “otaku culture” spread overseas when it was so stigmatized at home, and what can all this tell us about Japan in the post-bubble era?

Sources

Kinsella, Sharon. “Japanese Subculture in the 1990s: Otaku and the Amateur Manga Movement.” Journal of Japanese Studies 24, No 2 (Summer 1998)

Eng, Lawrence, “Strategies of Engagement: Discovering, Defining, and Describing Otaku Culture in the United States” and “Anime and Manga Fandom as Networked Culture” in Fandom Unbound: Otaku Culture in a Connected World. Ed. Mizuko Ito, Daisuke Okabe, and Izumi Tsuji.

Images

Miyazaki Tsutomu’s mugshot from 1989.
Promo poster for the original Yamatocon in 1983.
Title image for Robotech; shows like this helped popularize anime to a much wider audience than had been the case in the 1970s.
Roof shot from Anime Expo 2004 in Los Angeles.
  continue reading

12集单集

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