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Feminism, Resistance & the Global South - Highlights - INTAN PARAMADITHA

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Manage episode 414553024 series 3334562
内容由Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series提供。所有播客内容(包括剧集、图形和播客描述)均由 Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

“I grew up with folktales and fairytales from the Indonesian archipelago, from the Nusantara. And of course I grew up with the stories from the Grimm brothers and Hans Christian Andersen and actually I like them better than the Disney version because they're more bloody and gory. I guessed that also shaped my preferences for more dark and gothic stories as I grew up. I did English literature at the University of Indonesia. I wrote a BA thesis on Mary Shelley's Frankenstein. And my mother was a very imaginative person. She loved making her own stories, so I think I inherit that from her. But she never had the chance to explore her creative side—there were certain expectations for women at that time to get married. She was harsh. But I know why I considered her monstrous when she was younger. She was trying to reject society's expectations in her own way, but we didn't understand her. And so I became really interested in the so-called bad women or monstrous women, in a way that these women allow me to ask questions around the structures that create them. Her whole presence taught me to really appreciate the knowledge that was created by generations of women before me. Part of the work I do now is work with a feminist collective to actually question knowledge production, who is excluded from it, who is being marginalized because of it, and my mother played a great role in steering me in that direction.”

Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.

https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

267集单集

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Manage episode 414553024 series 3334562
内容由Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series提供。所有播客内容(包括剧集、图形和播客描述)均由 Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

“I grew up with folktales and fairytales from the Indonesian archipelago, from the Nusantara. And of course I grew up with the stories from the Grimm brothers and Hans Christian Andersen and actually I like them better than the Disney version because they're more bloody and gory. I guessed that also shaped my preferences for more dark and gothic stories as I grew up. I did English literature at the University of Indonesia. I wrote a BA thesis on Mary Shelley's Frankenstein. And my mother was a very imaginative person. She loved making her own stories, so I think I inherit that from her. But she never had the chance to explore her creative side—there were certain expectations for women at that time to get married. She was harsh. But I know why I considered her monstrous when she was younger. She was trying to reject society's expectations in her own way, but we didn't understand her. And so I became really interested in the so-called bad women or monstrous women, in a way that these women allow me to ask questions around the structures that create them. Her whole presence taught me to really appreciate the knowledge that was created by generations of women before me. Part of the work I do now is work with a feminist collective to actually question knowledge production, who is excluded from it, who is being marginalized because of it, and my mother played a great role in steering me in that direction.”

Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.

https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

  continue reading

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