Artwork

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18 - How to Launch an Art Movement

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Manage episode 209238520 series 2283857
内容由Dan Nesbitt / Tim Philpott提供。所有播客内容(包括剧集、图形和播客描述)均由 Dan Nesbitt / Tim Philpott 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Want more FOH? Visit footnotesofhistory.com/join Shownotes at footnotesofhistory.com/18 In July of 1870, France - onetime cultural capital of the world - rather ill-advisedly went to war with Prussia, Europe's menacing new power. In the ensuing chaos, lives were turned upside-down... but what did this mean for art? The conflict erupted just as a gang of new kids had arrived on the block - The Impressionists. Their atmospheric take on everyday scenes and their quirky techniques outraged the old guard at the Salon. The established purpose of Art was to glorify and deify - anything from heroic battles to romanticised figures of France past. The Impressionists painted everything and anything and the Salon of the Second Empire rejected it almost automatically. So is it possible that an Emperor-toppling war, deadly siege and city rebellion may have done more to boost this new "Impressionism" than any other event?
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Artwork

18 - How to Launch an Art Movement

Footnotes of History

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Manage episode 209238520 series 2283857
内容由Dan Nesbitt / Tim Philpott提供。所有播客内容(包括剧集、图形和播客描述)均由 Dan Nesbitt / Tim Philpott 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Want more FOH? Visit footnotesofhistory.com/join Shownotes at footnotesofhistory.com/18 In July of 1870, France - onetime cultural capital of the world - rather ill-advisedly went to war with Prussia, Europe's menacing new power. In the ensuing chaos, lives were turned upside-down... but what did this mean for art? The conflict erupted just as a gang of new kids had arrived on the block - The Impressionists. Their atmospheric take on everyday scenes and their quirky techniques outraged the old guard at the Salon. The established purpose of Art was to glorify and deify - anything from heroic battles to romanticised figures of France past. The Impressionists painted everything and anything and the Salon of the Second Empire rejected it almost automatically. So is it possible that an Emperor-toppling war, deadly siege and city rebellion may have done more to boost this new "Impressionism" than any other event?
  continue reading

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