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内容由Great European Lives with Charlie Connelly提供。所有播客内容(包括剧集、图形和播客描述)均由 Great European Lives with Charlie Connelly 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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S2 Ep15: Tamara de Lempicka

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Manage episode 299193030 series 2950257
内容由Great European Lives with Charlie Connelly提供。所有播客内容(包括剧集、图形和播客描述)均由 Great European Lives with Charlie Connelly 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
In this episode, host Charlie Connelly discusses the life of Polish painter Tamara de Lempicka. Her Self-Portrait in the Green Bugatti has been said to define the 1920s in a single image, becoming the personification of the Jazz Age. Her aim was never to emulate, but to create a new style with bright, luminous colours, drawing out elegance from the models she used. However, the following decade was defined by a rise in autocracy and, troubled by the Hitler youth, she and her husband left for America. However, the country didn’t quite understand her and gossip columns named her ‘the Baroness with the brush’. Still, she continued to epitomise the time between the Russian revolution and Nazism. Enjoyed this episode? Let us know by tweeting @TheNewEuropean.
  continue reading

30集单集

Artwork
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Manage episode 299193030 series 2950257
内容由Great European Lives with Charlie Connelly提供。所有播客内容(包括剧集、图形和播客描述)均由 Great European Lives with Charlie Connelly 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
In this episode, host Charlie Connelly discusses the life of Polish painter Tamara de Lempicka. Her Self-Portrait in the Green Bugatti has been said to define the 1920s in a single image, becoming the personification of the Jazz Age. Her aim was never to emulate, but to create a new style with bright, luminous colours, drawing out elegance from the models she used. However, the following decade was defined by a rise in autocracy and, troubled by the Hitler youth, she and her husband left for America. However, the country didn’t quite understand her and gossip columns named her ‘the Baroness with the brush’. Still, she continued to epitomise the time between the Russian revolution and Nazism. Enjoyed this episode? Let us know by tweeting @TheNewEuropean.
  continue reading

30集单集

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