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内容由Hey Art, What's Good?, Hey Art, and What's Good?提供。所有播客内容(包括剧集、图形和播客描述)均由 Hey Art, What's Good?, Hey Art, and What's Good? 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Episode 59 - Mikhail Karikis at MIMA with Elinor Morgan | Hey Art, What's Good?

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Manage episode 245501140 series 2423622
内容由Hey Art, What's Good?, Hey Art, and What's Good?提供。所有播客内容(包括剧集、图形和播客描述)均由 Hey Art, What's Good?, Hey Art, and What's Good? 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
For this week's episode the girls went back along to the wonderful Middlesbrough Institute of Modern Art and had a chat with Senior Curator Elinor Morgan about their newest exhibition, 'For Many Voices' by Mikhail Karikis. This exhibition is a survey of Karikis's work over the past 10 years, and it massively employs the use of sound, documentary-style video, and a community focus. "He employs listening as a form of activism, tuning into voices that operate beyond mainstream frequencies. In the past decade, he has shifted how he works, from creating a space in which others participate in the work to one in which they become co-producers. The resulting projects highlight alternative modes of solidarity and action, while nurturing attention, dignity and tenderness."
  continue reading

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Artwork
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Manage episode 245501140 series 2423622
内容由Hey Art, What's Good?, Hey Art, and What's Good?提供。所有播客内容(包括剧集、图形和播客描述)均由 Hey Art, What's Good?, Hey Art, and What's Good? 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
For this week's episode the girls went back along to the wonderful Middlesbrough Institute of Modern Art and had a chat with Senior Curator Elinor Morgan about their newest exhibition, 'For Many Voices' by Mikhail Karikis. This exhibition is a survey of Karikis's work over the past 10 years, and it massively employs the use of sound, documentary-style video, and a community focus. "He employs listening as a form of activism, tuning into voices that operate beyond mainstream frequencies. In the past decade, he has shifted how he works, from creating a space in which others participate in the work to one in which they become co-producers. The resulting projects highlight alternative modes of solidarity and action, while nurturing attention, dignity and tenderness."
  continue reading

101集单集

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