伸冤人(远看是蓝领,近看是绅士,其实是杀器)

LaimingLuo

2014 American crime thriller "The Equalizer" is making some people wonder whether the winds have shifted in Hollywood, so that instead of soft-skinned teenage boys who can't act and muscular men who knows an awful lot of four-lettered words, filmmakers are giving the floor to elderly man with obsessive compulsive personality disorder who likes to read. But that's not true, the age when manners and knowledge become the new sexy will not dawn on humanity until Hollywood goes bankrupt and is taken over by a union of wealthy librarians and bookstore owners. And since the librarians and bookstore owners are busy either losing their jobs or going out of business in the age of Information Technology, chances are the world will never see the return to the fad of gentle and well-read vigilante heroes like the masked man from "V for Vendetta", and "The Equalizer" will remain a rare reminder of quality television of the good old 80s.
Denzel Washington plays a former espionage agent who lives a quiet life as a worker at a Boston hardware store. Despite a simple and quiet life, the extremely organised man has difficulty sleeping at night and often stays in a 24/7 diner to read literary classics. One day a teenage prostitute he knows from the diner gets beaten up by the Russian Mafia, and the man's attempt to secure the girl's freedom leads to a clash with one of the most powerful gangs on America's east coast.
For a film that opens with the ritually simplistic chores of a lonesome man's stoic life, "The Equalizer" has surprisingly bloody action scenes. On the half-hour mark, the story seems to hit a climax as Denzel Washington goes on a spontaneous rampage in the mafia's regional headquarters. One hour into the film, you would think you've seen everything you want to see in an action film, but with anticipation and curiosity you still look forward to what's going to happen next.
The masterful pacing in the first hour conspires with elegant lighting, neat cinematography and Washington's imperturbable charisma to create a mysterious halo surrounding the plainly-dressed man and forms a sharp contrast against the Quentin Tarantino-style fury in which he executes his adversaries. Such is the charm of Oscar-worthy duo Denzel Washington and director Antoine Fuqua.
But the second half of the film fails to take the action to the next level. As the main villain, Marton Csokas does let out some effectively menacing snarls to help build up the tension, but he ultimately falls short of challenging Washington's superhero glamour, due to the writer's keenness to highlight the impromptu skills of a genius assassin.
So in conclusion "The Equalizer" offers a refreshing experience and reminds us of the charm of a real gentleman, and that's more than one can expert from most action films of this type.