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The Making of JAMBOREE by Beat Happening - featuring Calvin Johnson, Heather Lewis, Bret Lunsford, Steve Fisk and Gary Lee Conner

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Manage episode 353984906 series 2602016
内容由Life of the Record / Talkhouse提供。所有播客内容(包括剧集、图形和播客描述)均由 Life of the Record / Talkhouse 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

For the 35th anniversary of Beat Happening’s second album, JAMBOREE, we take a detailed look at how it was made. After meeting at the Evergreen State College in Olympia Washington, Calvin Johnson, Heather Lewis and Bret Lunsford formed Beat Happening and began releasing music under Calvin’s K label. In 1985, they released their self-titled debut album, which was later was picked up for UK distribution by Rough Trade Records. As the band was gaining interest beyond the Pacific Northwest, expectations were higher for their second album. Right before recording JAMBOREE, they linked up with their tourmates, Screaming Trees, in Ellensburg, Washington and recorded a joint EP in one night. They worked so well together that Beat Happening asked Screaming Trees’ Mark Lanegan and Gary Lee Conner to co-produce their next record, along with their friend, Steve Fisk.

In this episode, Calvin, Heather and Bret describe where the band was at when they were playing live more than ever before and developing relationships with other bands in the punk scene. Despite their limited technical abilities and lack of equipment, they describe the enthusiasm and optimism they felt about being in a band together at the time they made JAMBOREE. Producer Steve Fisk offers his unique perspective on first meeting a teenage Calvin and going on to record multiple Beat Happening albums. Co-producer Gary Lee Conner describes the unlikely musical pairing of Screaming Trees and Beat Happening but how they were kindred spirits, being outsiders with a shared DIY philosophy. From one borrowed distortion pedal to Screaming Trees as a cheering section to not understanding the concept of singing on key to the bravery of a cappella performances to the difficulty of having only one clave, we’ll hear the stories of how the record came together.

  continue reading

47集单集

Artwork
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Manage episode 353984906 series 2602016
内容由Life of the Record / Talkhouse提供。所有播客内容(包括剧集、图形和播客描述)均由 Life of the Record / Talkhouse 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

For the 35th anniversary of Beat Happening’s second album, JAMBOREE, we take a detailed look at how it was made. After meeting at the Evergreen State College in Olympia Washington, Calvin Johnson, Heather Lewis and Bret Lunsford formed Beat Happening and began releasing music under Calvin’s K label. In 1985, they released their self-titled debut album, which was later was picked up for UK distribution by Rough Trade Records. As the band was gaining interest beyond the Pacific Northwest, expectations were higher for their second album. Right before recording JAMBOREE, they linked up with their tourmates, Screaming Trees, in Ellensburg, Washington and recorded a joint EP in one night. They worked so well together that Beat Happening asked Screaming Trees’ Mark Lanegan and Gary Lee Conner to co-produce their next record, along with their friend, Steve Fisk.

In this episode, Calvin, Heather and Bret describe where the band was at when they were playing live more than ever before and developing relationships with other bands in the punk scene. Despite their limited technical abilities and lack of equipment, they describe the enthusiasm and optimism they felt about being in a band together at the time they made JAMBOREE. Producer Steve Fisk offers his unique perspective on first meeting a teenage Calvin and going on to record multiple Beat Happening albums. Co-producer Gary Lee Conner describes the unlikely musical pairing of Screaming Trees and Beat Happening but how they were kindred spirits, being outsiders with a shared DIY philosophy. From one borrowed distortion pedal to Screaming Trees as a cheering section to not understanding the concept of singing on key to the bravery of a cappella performances to the difficulty of having only one clave, we’ll hear the stories of how the record came together.

  continue reading

47集单集

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