Artwork

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Garry Fabian Miller on cibachrome paper.

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Manage episode 292313226 series 2481115
内容由Delizia Media提供。所有播客内容(包括剧集、图形和播客描述)均由 Delizia Media 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

What does an artist do when the material he has devoted his working life to runs out?

Garry Fabian Miller is a renowned photographer, who doesn’t use a camera in his practice. Instead, he works in his darkroom and relies on a combination of light and cibachrome paper, using exposures that can last between one to twenty hours.

His extraordinary, abstract pieces are inspired by nature and the things he sees on walks around his home in Dartmoor.

His work is held in an array of public and private collections, including MoMA in New York, the Sir Elton John Collection and the V&A in London. Meanwhile his latest book – and there have been many – is entitled Blaze and features a forward from an old friend of the show, Edmund de Waal.

Trouble is that, thanks to the rise of digital photography, production of cibachrome halted in 2012 and supplies have dwindled to nothing. This is the story of how he has coped.

In this episode we talk about: the vital role light and cibachrome paper have played in his life; the importance of Dartmoor to his process; deciding to discard the camera; growing up as a child in a darkroom; photography as a medium of magic; feeling like an ‘edge player’; his love of the etcher Robin Tanner and punk rocker Poly Styrene; and, of course, dealing with the dying days of his craft.
You can learn more about Garry here
And you can sign up to my newsletter here

Support the Show.

  continue reading

112集单集

Artwork
icon分享
 
Manage episode 292313226 series 2481115
内容由Delizia Media提供。所有播客内容(包括剧集、图形和播客描述)均由 Delizia Media 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

What does an artist do when the material he has devoted his working life to runs out?

Garry Fabian Miller is a renowned photographer, who doesn’t use a camera in his practice. Instead, he works in his darkroom and relies on a combination of light and cibachrome paper, using exposures that can last between one to twenty hours.

His extraordinary, abstract pieces are inspired by nature and the things he sees on walks around his home in Dartmoor.

His work is held in an array of public and private collections, including MoMA in New York, the Sir Elton John Collection and the V&A in London. Meanwhile his latest book – and there have been many – is entitled Blaze and features a forward from an old friend of the show, Edmund de Waal.

Trouble is that, thanks to the rise of digital photography, production of cibachrome halted in 2012 and supplies have dwindled to nothing. This is the story of how he has coped.

In this episode we talk about: the vital role light and cibachrome paper have played in his life; the importance of Dartmoor to his process; deciding to discard the camera; growing up as a child in a darkroom; photography as a medium of magic; feeling like an ‘edge player’; his love of the etcher Robin Tanner and punk rocker Poly Styrene; and, of course, dealing with the dying days of his craft.
You can learn more about Garry here
And you can sign up to my newsletter here

Support the Show.

  continue reading

112集单集

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