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John Murillo III, "Impossible Stories: On the Space and Time of Black Destructive Creation" (Ohio State UP, 2021)

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内容由New Books Network提供。所有播客内容(包括剧集、图形和播客描述)均由 New Books Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In Impossible Stories: On the Space and Time of Black Destructive Creation (Ohio State UP, 2021), John Murillo offers bold new readings of recent and canonical Black creative works within an Afro-pessimistic framework to excavate how time, space, and blackness intersect—or, rather, crash. Building on Michelle Wright’s ideas about dislocation from time and space as constitutive to being Black in America, as well as on W. E. B. DuBois’s theories of temporalization, he reconsiders the connections between physical phenomena and principles, literature, history, and the fragmented nature of Black time and space.

Taking as his lens the fragment—fragmented bodies, fragments of memories, fragments of texts—Murillo theorizes new directions for Black identity and cultural production. Combining a critical engagement of physics and metaphysics with innovative readings of Gayl Jones’s Corregidora, Octavia Butler’s Kindred, Toni Morrison’s Beloved, Kiese Laymon’s Long Division, Dionne Brand’s A Map to the Door of No Return, and Paul Beatty’s The Sellout, he offers new ways to think about anti-Black racism and practice Black creativity. Ultimately, in his equally creative and analytical responses to depictions of Black people left out of history and barred from spaces, Murillo argues that through Afro-pessimism, Black people can fight the anti-Black cosmos.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

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Manage episode 292498662 series 2421441
内容由New Books Network提供。所有播客内容(包括剧集、图形和播客描述)均由 New Books Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In Impossible Stories: On the Space and Time of Black Destructive Creation (Ohio State UP, 2021), John Murillo offers bold new readings of recent and canonical Black creative works within an Afro-pessimistic framework to excavate how time, space, and blackness intersect—or, rather, crash. Building on Michelle Wright’s ideas about dislocation from time and space as constitutive to being Black in America, as well as on W. E. B. DuBois’s theories of temporalization, he reconsiders the connections between physical phenomena and principles, literature, history, and the fragmented nature of Black time and space.

Taking as his lens the fragment—fragmented bodies, fragments of memories, fragments of texts—Murillo theorizes new directions for Black identity and cultural production. Combining a critical engagement of physics and metaphysics with innovative readings of Gayl Jones’s Corregidora, Octavia Butler’s Kindred, Toni Morrison’s Beloved, Kiese Laymon’s Long Division, Dionne Brand’s A Map to the Door of No Return, and Paul Beatty’s The Sellout, he offers new ways to think about anti-Black racism and practice Black creativity. Ultimately, in his equally creative and analytical responses to depictions of Black people left out of history and barred from spaces, Murillo argues that through Afro-pessimism, Black people can fight the anti-Black cosmos.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

  continue reading

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