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Leyla Ozgur Alhassen, "Qur'ānic Stories: God, Revelation, and the Audience" (Edinburgh UP, 2022)

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内容由New Books Network提供。所有播客内容(包括剧集、图形和播客描述)均由 New Books Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Leyla Ozgur Alhassen’s book Qur’anic Stories: God, Revelation and the Audience (Edinburgh University Press, 2021) provides excellent analyses of several Qur’anic surahs, or chapters, to explore how Qur’anic stories function as narratives – but not just any kind of narratives: narratives with a theological purpose behind them.

The specific stories she looks at include those of Maryam, Yusuf, and Musa primarily. Alhassen analyzes the literary themes present in these different chapters, such as the themes of control, knowledge, semantic echoes, and consonance, or themes of family, judgment, evidence, and secrets – whether it’s secrets that the text is withholding from the reader or secrets that characters are keeping from each other. One of the most important contributions that the book makes is to offer one possible and convincing explanation for why stories of the same characters are told in different ways in different chapters of the Qur’an. For example, God is woven into some stories as both a character and an omniscient narrator depending on the larger theme of the surah and the placing of the story; in some instances, God as the omniscient narrator shows the words of a beloved, righteous character as true, thus making a theological statement. Alhassen argues that in such renderings of a story, where it becomes unclear whether a certain quote is God’s or a character’s, the point the text is making there is that God merges His (or Her) words with characters as a reward from God. Other theological statements that the stories seem to be making are that they reveal some insight into divine intent.

In this interview, we discuss the origins of the book, how the Qur’an establishes structure and how Qur’anic stories serve as narratives, the main points of each chapter and story, and whether, and how, if at all, it matters that the Qur’an doesn’t give us identical quotes from characters in the various renditions of their stories in order to make an important stylistic choice.

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Manage episode 455763504 series 2999975
内容由New Books Network提供。所有播客内容(包括剧集、图形和播客描述)均由 New Books Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Leyla Ozgur Alhassen’s book Qur’anic Stories: God, Revelation and the Audience (Edinburgh University Press, 2021) provides excellent analyses of several Qur’anic surahs, or chapters, to explore how Qur’anic stories function as narratives – but not just any kind of narratives: narratives with a theological purpose behind them.

The specific stories she looks at include those of Maryam, Yusuf, and Musa primarily. Alhassen analyzes the literary themes present in these different chapters, such as the themes of control, knowledge, semantic echoes, and consonance, or themes of family, judgment, evidence, and secrets – whether it’s secrets that the text is withholding from the reader or secrets that characters are keeping from each other. One of the most important contributions that the book makes is to offer one possible and convincing explanation for why stories of the same characters are told in different ways in different chapters of the Qur’an. For example, God is woven into some stories as both a character and an omniscient narrator depending on the larger theme of the surah and the placing of the story; in some instances, God as the omniscient narrator shows the words of a beloved, righteous character as true, thus making a theological statement. Alhassen argues that in such renderings of a story, where it becomes unclear whether a certain quote is God’s or a character’s, the point the text is making there is that God merges His (or Her) words with characters as a reward from God. Other theological statements that the stories seem to be making are that they reveal some insight into divine intent.

In this interview, we discuss the origins of the book, how the Qur’an establishes structure and how Qur’anic stories serve as narratives, the main points of each chapter and story, and whether, and how, if at all, it matters that the Qur’an doesn’t give us identical quotes from characters in the various renditions of their stories in order to make an important stylistic choice.

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  continue reading

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