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Jeremy Black, "Defoe's Britain" (St. Augustine's Press, 2023)

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内容由New Books Network提供。所有播客内容(包括剧集、图形和播客描述)均由 New Books Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

The Weight of Words Series continues with Defoe's Britain (St. Augustine's Press, 2023), as historian Jeremy Black uses this writer to interpret Britain in the late 1600s, and likewise looks to the times to interpret the fiction. As seen in previous studies on Christie, Smollett, Fielding, and the Gothic novelists, Black tells the story of the story-teller, and presents the picture of British nationalism that "was the product, history, and record of struggle--collective and individual--as well as its defence. Defoe provides particular accounts of this struggle, both in foreign seas and lands, and at home. This struggle had a moral character that is difficult to capture today."

Defoe was an outsider, a man of many interests whom Black asserts evades too precise a portrait or coherent description of character and career. But he is a traveler, in the literal and imaginative senses, and in his engagement with life and its issues and willingness to associate with 'low-life' prefigures later literary giants like Smollett and Fielding. More than the establishment of genre, Defoe created the writer "whose business is observation." Black's account of this parcel of the British past is impeccable because it is in fact an account that the past, in Defoe, gives of itself. "As a writer, Defoe brought together a reality usually presented as, and endorsed by, history, with the imaginative focus of storytelling, and the direction of, variously, propaganda, analysis, and exemplary tale."

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Manage episode 427309204 series 2421456
内容由New Books Network提供。所有播客内容(包括剧集、图形和播客描述)均由 New Books Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

The Weight of Words Series continues with Defoe's Britain (St. Augustine's Press, 2023), as historian Jeremy Black uses this writer to interpret Britain in the late 1600s, and likewise looks to the times to interpret the fiction. As seen in previous studies on Christie, Smollett, Fielding, and the Gothic novelists, Black tells the story of the story-teller, and presents the picture of British nationalism that "was the product, history, and record of struggle--collective and individual--as well as its defence. Defoe provides particular accounts of this struggle, both in foreign seas and lands, and at home. This struggle had a moral character that is difficult to capture today."

Defoe was an outsider, a man of many interests whom Black asserts evades too precise a portrait or coherent description of character and career. But he is a traveler, in the literal and imaginative senses, and in his engagement with life and its issues and willingness to associate with 'low-life' prefigures later literary giants like Smollett and Fielding. More than the establishment of genre, Defoe created the writer "whose business is observation." Black's account of this parcel of the British past is impeccable because it is in fact an account that the past, in Defoe, gives of itself. "As a writer, Defoe brought together a reality usually presented as, and endorsed by, history, with the imaginative focus of storytelling, and the direction of, variously, propaganda, analysis, and exemplary tale."

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

  continue reading

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