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内容由Chris Deacy and Nostalgia Interviews with Chris Deacy提供。所有播客内容(包括剧集、图形和播客描述)均由 Chris Deacy and Nostalgia Interviews with Chris Deacy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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173: Chris Cotter

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Manage episode 371810994 series 2312064
内容由Chris Deacy and Nostalgia Interviews with Chris Deacy提供。所有播客内容(包括剧集、图形和播客描述)均由 Chris Deacy and Nostalgia Interviews with Chris Deacy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
My guest this week is Chris Cotter who lectures for the Open University and has a rich background in podcasts. He co-founded the Religious Studies Project podcast in 2012, and we talk about our thoughts on podcasts and why academics want to discuss their research.
Chris comes from near Belfast, where his father is a Church of Ireland minister, and moved to Edinburgh in 2004 initially to do a degree in Physics. He had discovered amateur dramatics at the end of high school and was also involved in a band, performing Shakespeare and other plays and came to the conclusion that a Physics degree was the wrong call. He ended up migrating to Religious Studies.
Chris’s area of research is in the critical study of religion, theory and method, and we learn about his interests in New Atheism, non-religion and ethnography.
Chris talks about his relatively privileged upbringing, his experience of growing up in Northern Ireland prior to the Good Friday Agreement, and what has, and what hasn’t, changed. He became known as ‘Irish Chris’ when he first moved to Edinburgh, and Chris reflects on how he could claim an Irish identity more outside of Ireland than within it.
We also learn how Chris moved from being averse to nationalism to becoming quite a supporter of the cause.
We talk about Chris’s amateur dramatics interests, as well as the chamber choir and grand opera, and more recently musical theatre. We talk about the concept of communitas, as well as the so-called ‘post-show blues’. Chris is quite a reserved person and we find out why he perhaps surprisingly likes to put himself on the stage.
Towards the end of the interview, we learn about Chris’s penchant for film, and how we feel about watching movies in a solitary context. Chris sometimes watches films on train journeys, and we discover what it is that he gets out of the oeuvre of Darren Aronofsky.
At the very end, we learn why Chris is more of a looking back than a looking forward type of person.
  continue reading

209集单集

Artwork
icon分享
 
Manage episode 371810994 series 2312064
内容由Chris Deacy and Nostalgia Interviews with Chris Deacy提供。所有播客内容(包括剧集、图形和播客描述)均由 Chris Deacy and Nostalgia Interviews with Chris Deacy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
My guest this week is Chris Cotter who lectures for the Open University and has a rich background in podcasts. He co-founded the Religious Studies Project podcast in 2012, and we talk about our thoughts on podcasts and why academics want to discuss their research.
Chris comes from near Belfast, where his father is a Church of Ireland minister, and moved to Edinburgh in 2004 initially to do a degree in Physics. He had discovered amateur dramatics at the end of high school and was also involved in a band, performing Shakespeare and other plays and came to the conclusion that a Physics degree was the wrong call. He ended up migrating to Religious Studies.
Chris’s area of research is in the critical study of religion, theory and method, and we learn about his interests in New Atheism, non-religion and ethnography.
Chris talks about his relatively privileged upbringing, his experience of growing up in Northern Ireland prior to the Good Friday Agreement, and what has, and what hasn’t, changed. He became known as ‘Irish Chris’ when he first moved to Edinburgh, and Chris reflects on how he could claim an Irish identity more outside of Ireland than within it.
We also learn how Chris moved from being averse to nationalism to becoming quite a supporter of the cause.
We talk about Chris’s amateur dramatics interests, as well as the chamber choir and grand opera, and more recently musical theatre. We talk about the concept of communitas, as well as the so-called ‘post-show blues’. Chris is quite a reserved person and we find out why he perhaps surprisingly likes to put himself on the stage.
Towards the end of the interview, we learn about Chris’s penchant for film, and how we feel about watching movies in a solitary context. Chris sometimes watches films on train journeys, and we discover what it is that he gets out of the oeuvre of Darren Aronofsky.
At the very end, we learn why Chris is more of a looking back than a looking forward type of person.
  continue reading

209集单集

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