Artwork

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The Search for a Contemporary Art Scene in the UAE: From the Sand Palace to the Venice Biennale

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Manage episode 408114181 series 2404630
内容由NYUAD Institute提供。所有播客内容(包括剧集、图形和播客描述)均由 NYUAD Institute 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Does the UAE have an art scene? A group of European curators concluded it did not, after they visited in search of contemporary art and artists in the 1990s. In fact, that decade was a vibrant period in the UAE, and a tightly-knit cluster of artists was experimenting with the outer limits of what art can be. At the heart of that group was Mohamed Ahmed Ibrahim. Maya Allison curated his solo exhibition at the Venice Biennale in 2022, and in this presentation, she traces why the UAE’s art history evaded the radar of those curators in the 1990s, while giving rise to Ibrahim’s locally rooted, cosmopolitan art practice, and ultimately, the vibrant, fast-changing art scene readily apparent today. She also touches on the problem of “outsider” and “self-taught” categories beyond European-American contexts. Speaker Maya Allison, Executive Director, The Art Gallery at NYU Abu Dhabi, NYUAD In conversation with Mayssam Latif, Cultural Affairs Advisor, UAE Consulate General in New York
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Artwork
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Manage episode 408114181 series 2404630
内容由NYUAD Institute提供。所有播客内容(包括剧集、图形和播客描述)均由 NYUAD Institute 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
Does the UAE have an art scene? A group of European curators concluded it did not, after they visited in search of contemporary art and artists in the 1990s. In fact, that decade was a vibrant period in the UAE, and a tightly-knit cluster of artists was experimenting with the outer limits of what art can be. At the heart of that group was Mohamed Ahmed Ibrahim. Maya Allison curated his solo exhibition at the Venice Biennale in 2022, and in this presentation, she traces why the UAE’s art history evaded the radar of those curators in the 1990s, while giving rise to Ibrahim’s locally rooted, cosmopolitan art practice, and ultimately, the vibrant, fast-changing art scene readily apparent today. She also touches on the problem of “outsider” and “self-taught” categories beyond European-American contexts. Speaker Maya Allison, Executive Director, The Art Gallery at NYU Abu Dhabi, NYUAD In conversation with Mayssam Latif, Cultural Affairs Advisor, UAE Consulate General in New York
  continue reading

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