Persuasion 10. | Family Connections

Persuasion by Jane Austen

Bath is a buzz with the gossip of an impending proposal, but the future bride appears unaware, instead being focused on the arrival of her past paramour. Anne’s family continues to make social faux pas by ignoring the newly arrived Captain Wentworth, in a reigniting of conditions that caused Anne to break their engagement eight years prior. Mrs Smith has heard the gossip around town and cryptically comments to Anne on her perception of the impact on their renewed friendship. Italian Opera provides an opportunity for dueling suitors to attempt to gain Anne’s attention and despite her best efforts, her attentions are dominated not by her heart, but by her sense of duty. When will she put herself first?
This episode covers chapters 19 and 20 of Jane Austen's Persuasion.
We hope you enjoyed this episode of Ballarat National Theatre’s adaptation of Jane Austen’s Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.
This episode features the voices of:
Alix Roberts as Anne Elliot
Jack Emond as Captain Frederick Wentworth
Timothy Corrigan as Mr Elliot
Nicholas Barker-Pendree as Sir Walter Elliot
Helen Gibson as Elizabeth Elliot
Miriam Wood as Lady Russell
Jane Gaylor as Lady Dalrymple
Philippa Elder as Mrs Smith
This podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson.
This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present.
This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.
This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.

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